Four Past Midnight - Stephen King [379]
But today she was in for a pleasant surprise - or so it seemed at first. Pop's usual hungry appraisal was not even an ordinary patron's look; it seemed utterly blank. It wasn't that he looked through her, or that his gaze struck her and bounced off. It seemed to Molly that he was so deep in his thoughts that his usually penetrating look did not even reach her, but made it about halfway and then petered out - like a man trying to locate and observe a star on the far side of the galaxy with just the naked eye.
'May I help you, Mr Merrill?' she asked, and her feet were already cocking so she could turn quickly and reach up for where the pouches of tobacco were kept. With Pop, this was a task she always did as quickly as possible, because when she turned and reached, she could feel his eyes crawling busily over her ass, dropping for a quick check of her legs, then rising again to her butt for a final ocular squeeze and perhaps a pinch before she turned back.
'Yes,' he said calmly and serenely, and he might as well have been talking to one of those automated bank machines for all the interest in her he showed. That was fine by Molly. 'I'd like some' and then either a word she didn't hear right or one that was utter gibberish. If it was gobbledegook, she thought with some hope, maybe the first few parts of the complicated network of dykes, levees, and spillways the old crock had constructed against the rising sea of senility were finally giving way.
It sounded as if he had said toefilmacco, which wasn't a product they stocked ... unless it was a prescription drug of some sort.
'I beg pardon, Mr Merrill?'
'Film,' he said, so clearly and firmly that Molly was more than disappointed; she was convinced he must have said it just that way the first time and her ears had picked it up wrong. Maybe she was the one who was beginning to lose her dykes and levees.
'What kind would you like?'
'Polaroid,' he said. 'Two packs.' She didn't know exactly what was going on here, but it was beyond doubt that Castle Rock's premier dirty old man was not himself today. His eyes would still not focus, and the words ... they reminded her of something, something she associated with her five-year-old niece, Ellen, but she couldn't catch hold of it.
'For what model, Mr Merrill?'
She sounded brittle and actressy to herself, but Pop Merrill didn't even come close to noticing. Pop was lost in the ozone.
After a moment's consideration in which he did not look at her at all but seemed instead to study the racks of cigarettes behind her left shoulder, he jerked out: 'For a Polaroid Sun camera. Model 660.' And then it came to her, even as she told him she'd have to get it from the display. Her niece owned a big soft panda toy, which she had, for reasons which would probably make sense only to another little girl, named Paulette. Somewhere inside of Paulette was an electronic circuit-board and a memory chip on which were stored about four hundred short, simple sentences such as 'I like to hug, don't you?' and 'I wish you'd never go away.' Whenever you poked Paulette above her fuzzy little navel, there was a brief pause and then one of those lovesome little remarks would come out, almost jerk out, in a somehow remote and emotionless voice that seemed by its tone to deny the content of the words. Ellen thought Paulette was the nuts. Molly thought there was something creepy about it; she kept expecting Ellen to poke the panda-doll in the guts someday and it would surprise them all (except for Aunt Molly from Castle Rock) by saying what was really on its mind. 'I think tonight after you're asleep I'll strangle you dead,' perhaps, or maybe just 'I have a knife.'
Pop Merrill sounded like Paulette the stuffed panda this morning. His blank gaze was uncannily like Paulette's. Molly had thought any change from the old man's usual leer would be a welcome one. She had been wrong.
Molly bent over the display, for once totally