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By Root 1308 0

knees, the skirt’s bunched lace prickly on the skin of her arms. Ax is also sitting, leaning against her back. They’re in a sort of eyrie, a functionless hollow in the side of a tower pitted by many such. The holes are connected by likewise inexplicable tunnels, which at least provide ventilation for the longer and much wider corridors within. The great spongy spike has been colonised over decades by businesses and settlers. What, if anything, it was originally designed for was almost certainly not human occupation, but humans are nothing if not ingenious and adaptable animals. Dee knows about this trait. She finds it admirable, though – she now realises – she can’t quite take pride in it. They’re not her species.

That humans are not her species is a conclusion she has come to only this afternoon. It’s a little disappointing, since she’s only felt like a human being for a couple of days, and she has every intention of keeping it to herself, especially if the question of her human status becomes a matter of learned dispute. But it’s the only way she can explain to herself how little she minds killing them.

Even given that they’ll come back – minds out of slow-running computer storage, bodies out of vats – being killed must cause them a lot of distress and inconvenience. (This is different from the dead, Scientist pedantically reminds her – different storage, different retrieval, different problem. Yeah, yeah, she tells it, and as that self is off-lined again Dee has a fleeting thought about Annette, the woman whose genotype she now knows she shares. She thinks of her among the dead, she thinks about codes and stores, and for another moment Sys flashes up some tenuous connection, but it’s gone…She’s just got too much on her mind right now.)

The distress and inconvenience caused is, for Ax, the whole point. He’s taking great delight in knocking off anyone who ever ripped him off, exploited him financially or spiritually or sexually. He chortles as they fall, to Dee’s bullets or his. Three so far, and more to go. Dee just doesn’t give a shit, basically. She knows she’s capable of emotion, of empathy, even of ethics – they’re right there, burned into the circuits of most of her selves – but they don’t seem to apply to people like Parris, or that woman Ax skewered in a cellar two hours ago, or the man she shot in a doorway. Perhaps they’re only meant to apply to one’s own species, in which case they’re not her species.

It now occurs to her, as she squints into the sun and watches out for bounty-hunters, for signs of hue-and-cry, that there is another explanation. Perhaps she’s human, all right, and her victims are not. Perhaps what they all have in common is a parasitic mimicry of humanity, which she can see through. One of her Story threads, which she plays on nights when she wants to give herself stronger fare than her usual historical romance, is about vampires. She wonders if the ostensibly human species – or hominid genera – are divided between real people and some hollow mockery of people, beings like vampires, who live on the lives of others. Killing them might be quite different from killing real people, who only live on the lives of plants and animals and machines.

An interesting thought.

She hears Ax’s long, lung-emptying sigh. She braces her back for the expected thud of the pistol and thump of the recoil. They shake her body a second later.

‘Got him!’ says Ax.

Dee doesn’t need to look around. The exit-ramp their eyrie overlooks is five metres down and about twenty metres away, and she can picture the sprawled body of the banker lying there. She can also picture the faces and lenses turning in their direction in the next couple of seconds…

But they’ve already rolled, Ax and Dee, down the slope of the hollow and out of immediate sight. A metre-wide hole in the synthetic rock leads to a curving chute, which they patiently climbed up about half an hour ago. The glassy smoothness which made the ascent difficult makes the descent easy. Dee goes first, feet-first, wrapped in her cloak. The drop at the end is awkward;