Fragments_ Poems, Intimate Notes, Letters - Marilyn Monroe [22]
Pier Paolo Pasolini (1922–1975)
He never met Marilyn Monroe, but a year after her death in 1963, he wrote an elegy to her, which was recited as a voice-over during a montage sequence in his film La Rabbia, with Albinoni’s Adagio in G Minor as background music. He wrote, “You, little sister, had that beauty humbly bestowed on you, and your soul born from modest people never knew how to own it, for it would not be beauty otherwise. The world first taught it to you, and so took your beauty as its own.”
Carl Sandburg (1878–1967)
Marilyn and the American poet met on the film set of Some Like It Hot in 1959. She was a great fan of his biography of Abraham Lincoln. They communicated mostly by phone, but there are photos of their joyous meeting at Irena and Henry Weinstein’s home in January 1962. He wrote about her, “She was not the usual movie idol. There was something democratic about her. She was the type who would join in and wash up the supper dishes even if you didn’t ask her.”
Edith Sitwell (1887–1964)
Edith Sitwell and Marilyn Monroe first met and had tea together at the end of 1954, in Hollywood. Marilyn, with her golden hair and green dress, reminded the eccentric English poet of a daffodil. They got on well and discussed poetry, in particular The Course of Life by Rudolph Steiner. They met again in London in 1956.
Dylan Thomas (1914–1953)
When the Welsh poet was on a reading tour of the United States in February 1950, he expressed the wish to meet Charlie Chaplin; however, before his dinner engagement he had a great time drinking martinis with Shelley Winters and Marilyn Monroe. He arrived dead drunk at Chaplin’s home and was turned away by the great comedian himself.
ACKNOWLEDGMENTS
Thanks to:
Sarah Churchwell
Ségolène Dargnies
Marion Duvert
Abby Haywood
Courtney Hodell
Karen Hope
Mark Krotov
Annie Ohayon
Flore Roumens
Ivana Ruzak
Lisa Silverman
Special thanks to Maja Hoffmann, who organized the dinner at the FIAC, and to Lou Reed, who was there.
PHOTOGRAPH CREDITS
© André de Dienes
© André de Dienes
© Silver Screen Collection/Hulton Archive/Getty Images
© Christie’s Images/The Bridgeman Art Library/Jock Caroll
© Archive photo
© André de Dienes
© Eve Arnold/Magnum Photos
© mptvimages.com
© Joshua Logan/private collection
© Michael Ochs Archives/Getty Images
© Rue des Archives/SPPS
© André de Dienes
© Elliott Erwitt/Magnum Photos
© Bob Haswell/Getty Images
© Roger Viollet/Ullstein Bild
© Dave Cicero
© 2010 Mimi Ross, photograph by Ben Ross
© André de Dienes
© George Barris
© Bettmann/Corbis
© Bettmann/Corbis
© Michael Ochs Archives/Getty Images
© private collection
© private collection
© André de Dienes
© George Silk/Life Magazine/Time & Life Pictures/Getty Images
© Arnold Newman/Getty Images
© Christie’s Images/The Bridgeman Art Library, private collection
© Shaan Kokin/Julien’s Auctions
© Christie’s Images/The Bridgeman Art Library, private collection
© Cecil Beaton/Camera Press/Rapho-Gamma
© Peter Basch
Farrar, Straus and Giroux
18 West 18th Street, New York 10011
Copyright © 2010 by LSAS International, Inc.
All rights reserved
Photograph credits.
Library of Congress Control Number: 2010932487
ISBN: 978-0-374-15835-4
www.fsgbooks.com
Table of Contents
Editors’ note
Personal note (1943)
Undated poems
“Record” black notebook (around 1951)
Other “Record” notebook (around 1955)
Waldorf-Astoria stationery (1955)
Italian agenda (1955 or 1956)
Parkside House stationery (1956)
Roxbury notes (1958)
Red livewire notebook (1958)
Fragments and notes
Kitchen notes (1955 or 1956)
Lee and Paula Strasberg
Letter to Dr. Hohenberg (1956)
Letter to Dr. Greenson