Freedom [288]
Which was why, on the October morning when the world finally did arrive, in the form of a new Hyundai sedan parked halfway down his driveway, in the overgrown turnout where Mitch and Brenda had once kept their boat, he didn’t stop to see who was in it. He was hurrying to get on the road to a Conservancy meeting in Duluth, and he slowed down only enough to see that the driver’s seat was reclined, the driver perhaps sleeping. He had reason to hope that whoever was in the car would be gone by the time he returned, because why else hadn’t they knocked on his door? But the car was still there, its reflective rear plastic catching his headlights, when he turned off the county road at eight o’clock that evening.
He got out and peered through the parked car’s windows and saw that it was empty, the driver’s seat restored to its upright position. The woods were cold; the air was still and smelled capable of snow; the only sound was a faint human burble from the direction of Canterbridge Estates. He got back in his car and proceeded to the house, where a woman, Patty, was sitting on the front step in the dark. She was wearing blue jeans and a thin corduroy jacket. Her legs were drawn up to her chest for warmth, her chin resting on her knees.
He shut off his car and waited for some longish while, some twenty or thirty minutes, for her to stand up and speak to him, if that was what she’d come here for. But she refused to move, and eventually he summoned the courage to leave his car and head inside. He paused briefly on the doorstep, not more than a foot away from her, to give her a chance to speak. But her head remained bowed. His own refusal to speak to her was so childish that he couldn’t resist smiling. But this smile was a dangerous admission, and he stifled it brutally, steeling himself, and entered the house and shut the door behind him.
His strength wasn’t infinite, however. He couldn’t help waiting in the dark, by the door, for another long while, maybe an hour, and straining to hear if she was moving, straining not to miss even a very faint tapping on the door. What he heard, instead, in his imagination, was Jessica telling him that he needed to be fair: that he owed his wife at least the courtesy of telling her to go away. And yet, after six years of silence, he felt that to speak even one word would be to take back everything—would undo all of his refusal and negate everything he’d meant by it.
At length, as if waking from some half-sleeping dream, he turned on a light and drank a glass of water and found himself drawn to his file cabinet by way of compromise; he could at least take a look at what the world had to say to him. He opened first the mailer from Jersey City. There was no note inside it, just a CD in impenetrable plastic wrapping. It appeared to be a small-label Richard Katz solo effort, with a boreal landscape on the front, superimposed with the title Songs for Walter.
He heard a sharp cry of pain, his own, as if it were someone else’s. The fucker, the fucker, it wasn’t fair. He turned over the CD with shaking hands and read the track list. The first song was called “Two Kids Good, No Kids Better.”
“God, what an asshole you are,” he said, smiling and weeping. “This is so unfair, you asshole.”
After he’d cried for a while at the unfairness, and at the possibility that Richard wasn’t wholly heartless, he put the CD