Freedom [96]
You were that body
That body for me
There was nobody like you
and so she did her best to follow Richard’s lead and relegate him to the past. There was something exciting, something almost Fiend of Athens, in Walter’s new energy, and she succeeded in hoping that the two of them might begin life afresh in Washington. She still loved the house on Nameless Lake, but she was done with the house on Barrier Street, which hadn’t been enough to hold Joey. She visited Georgetown for one afternoon, on a pretty blue fall Saturday when a Minnesotan wind was tossing the turning trees, and said, yeah, OK, I can do this. (Was she also conscious of the proximity of the University of Virginia, where Joey had just enrolled? Was her grasp of geography maybe not as bad as she’d always thought?) Incredibly, it was not until she actually arrived for good in Washington—not until she was crossing Rock Creek in a taxi with two suitcases—that she remembered how much she’d always hated politics and politicians. She walked into the house on 29th Street and saw, in a heartbeat, that she’d made yet another mistake.
*It occurred to Patty, on the bus ride from Chicago to Hibbing, that maybe the reason Richard had spurned her was that she wasn’t into his music and he was annoyed by this. Not that there was anything she could have done about it.
2004
MOUNTAINTOP REMOVAL
When it became unavoidable that Richard Katz return to the studio with his eager young bandmates and start recording a second Walnut Surprise album—when he’d exhausted all modes of procrastination and flight, first playing every receptive city in America and then touring progressively more remote foreign countries, until his bandmates rebelled at adding Cyprus to their Turkish trip, and then breaking his left index finger while fielding a paperback copy of Samantha Power’s seminal survey of world genocide flung too violently by the band’s drummer, Tim, across a hotel room in Ankara, and then retreating solo to a cabin in the Adirondacks to score a Danish art film and, in his utter boredom with the project, seeking out a coke dealer in Plattsburgh and taking 5,000 euros of Danish government arts funding up his nose, and then going AWOL for a stretch of costly dissipation in New York and Florida which didn’t end until he was busted in Miami for DWI and possession, and then checking himself into the Gubser Clinic in Tallahassee for six weeks of detox and snide resistance to the gospel of recovery, and then recuperating from the shingles he’d taken insufficient care to avoid contracting during a chicken-pox outbreak at the Gubser, and then performing 250 hours of a greeably mindless community service at a Dade County park, and then simply refusing to answer his phone or check his e-mail while he read books in his apartment on the pretext of shoring up his defenses against the chicks and drugs that his bandmates all seemed able to enjoy without too seriously overdoing it—he sent Tim a postcard and told him to tell the others that he was dead broke and going back to building rooftop decks full-time; and the rest of Walnut Surprise began to feel like idiots for having waited.
Not that it mattered, but Katz really was broke. Income and outlays had more or less balanced during the band’s year and a half of touring; whenever there’d been danger of a surplus, he’d upgraded their hotels and bought drinks for bars full of fans and strangers. Though Nameless Lake and the newly kindled consumer interest in old Traumatics recordings had brought him more money than his previous twenty years of work combined, he’d managed to blow every dime of it in his quest to relocate the self he’d misplaced. The most traumatic events ever to befall the longtime front man of the Traumatics had been (1) receiving a Grammy nomination, (2) hearing his music played on National Public Radio, and (3) deducing, from December sales figures, that Nameless Lake had made the perfect little Christmas gift to leave beneath tastefully trimmed trees in several hundred thousand NPR-listening