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Freedom Summer - Bruce W. Watson [12]

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friend” now heard about cops in Mississippi. “When you go down those cold stairs at the police station,” said Willie Peacock, beaten in police custody just the week before, “you don’t know if you’re going to come back or not. You don’t know if you can take those licks without fighting back because you might decide to fight back. It all depends on how you wanna die.” One tall SNCC staffer did not have to say anything. The bullet holes in his neck were clearly visible above his white T-shirt. Finally, the same stout woman whose singing had lifted the congregation on Sunday evening described a June night in 1963. Ordered away from a whites-only lunch counter, Fannie Lou Hamer had been led to a cell and forced to lie down as guards handed an inmate a blackjack. “That man beat me till he give out.” The blows had smashed her head, her back, her bare feet. Hamer’s booming voice now chilled the volunteers. “Don’t beat me no more! Don’t beat me no more!” Across the crowded auditorium, hands went to mouths, eyes were averted, tears held back. This was Mississippi—where they would be on Sunday.

At dinner that second evening, the mood on campus resembled that of a prison camp more than a summer camp. Over food that now seemed tasteless, students imagined being battered, shot, killed. White faces seemed whiter somehow. Smiles were gone. Freedom Songs were forgotten. “It just scared the crap out of us,” Chris Williams wrote. Some vented their fears in letters home.

Monday night

June 15

I turned down a chance to work in the southwest part of the state, the most dangerous area. I talked to a staff member covering that area for about fifteen minutes and he told me about the five Negroes who have been taken into the woods and shot in the last three months. . . . I told him that I couldn’t go in there because I was just too scared. I felt so bad I was about to forget about going to Mississippi at all. But I still wanted to go; I just didn’t feel like giving up my life. . . .

Chris found another way of coping. At midnight on Monday, he donned gym shorts and went for a shirtless, barefoot run. Across dewy lawns, beside softly lit dorms, past SNCCs partying in their office, he ran and ran, reconsidering his “Mississippi adventure.” “I just ran until I was really tired and then I wasn’t scared anymore.”

Throughout Tuesday, as workshops focused on Mississippi politics, geography, and history, tensions between the two groups tightened. Some students felt lectured; others lamented the racial divide: “We don’t know what it is to be a Negro, and even if we did, the Negroes here would not accept us. . . . In their eyes we’re rich middle or upper-class whites who’ve taken off a summer to help the Negro.” Yet many were beginning to idolize the Mississippi veterans.

Wherever students met on campus, stories circulated about this organization called SNCC (pronounced “Snick”). How in 1960, a brave and brilliant black woman named Ella Baker, active in civil rights since the 1930s, had gathered dozens of college students fresh from the “sit-ins” that had sprung up at lunch counters in southern cities. How Baker had forged them into the Student Nonviolent Coordinating Committee, a political force designed to earn blacks “more than a hamburger.” How SNCC soon had chapters on campuses across the country and how its members had kept the Freedom Rides going. (In May 1961, thirteen Freedom Riders—seven blacks and six whites—rode buses into the South, daring the federal government to enforce laws desegregating interstate travel. Freedom Riders were arrested in North Carolina, beaten by mobs in South Carolina, and saw their bus fire-bombed in Alabama. Unprotected by police, they abandoned their ride in Birmingham. But SNCC members soon came from Nashville to continue the Freedom Rides into Mississippi, where they were rounded up in Jackson and sent to Parchman Farm Prison.) The Freedom Rides made SNCC the “shock troops” of the Movement, its members pitting Gandhian pacifism against kneejerk brutality, singing through weeks of “jail—no bail,” surviving

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