Freedom Summer - Bruce W. Watson [7]
“Mississippi changed everything for anyone who was there,” volunteer Gloria Clark remembered. Most were quick to say they were not heroes, not when compared to those who risked their lives just to vote. The volunteers merely dropped in for a summer, then went home to question America. Some would spearhead the events that defined the 1960s—the Berkeley Free Speech Movement, the antiwar movement, the women’s movement. Others, spreading ideals absorbed in Mississippi, would be forever skeptical of authority, forever democrats with a small d, and forever touched by this single season of their youth. But first, they had to survive Freedom Summer.
You who live in the North: Do not think that Mississippi has no relevance to you. . . . My Mississippi is everywhere.
—James Meredith
CHAPTER ONE
“There Is a Moral Wave Building”
School was out and summer was making promises across America when three hundred people descended on a leafy campus in Oxford, Ohio, not far from the Indiana border. All were Americans, most were under twenty-five, and all felt their country changing in ways they could not ignore. Beyond these traits, they had little in common.
They came in two distinct groups. The first—mostly white—had just finished another year at Harvard, Yale, Oberlin, Berkeley. . . . Guitars slung over shoulders, idealism lifting their strides, they piled out of cars sporting a Rand McNally of license plates. California. Massachusetts. “Land of Lincoln.” They wore the American Bandstand fashions of 1964—polo shirts and slacks for men, capris and sleeveless blouses for women. Talking of LBJ, Bob Dylan, the civil rights bill struggling in the Senate, they found their way to dorms, met roommates, and settled in to learn about the daring summer they had chosen.
The second group—mostly black—brought no guitars and had little idealism left to pack. They did not wear slacks and polo shirts but denim overalls and white T-shirts. Many sported buttons depicting hands, black and white, clasped above the letters SNCC. And although most were the same age as the students, instead of sharing college stories, they arrived with stories of being beaten, targeted, tortured. Like the students, they sometimes spoke of recent reading—of Kant and Camus, James Baldwin and The Wretched of the Earth. But they did not read for grades; they read to arm themselves against the world. And their world was not sunny California, quaint Massachusetts, or the Land of Lincoln. This second group had come less from a state than from a state of war. They had come from Mississippi.
On Sunday afternoon, June 14, when the two groups met on the campus of the Western College for Women, the Mississippi Summer Project began. But the scene suggested the end of summer rather than the beginning. As if it were September, boxy Corvairs and humpbacked VWs braked in front of Gothic, ivied dorms. From them stepped two, three, or four people, stretching legs and casting glances. Across courtyards strewn with students, an occasional transistor radio blared a hit—“My Guy” or “She Loves You”—yet many students, goateed men or women with long, ironed hair, sat beneath trees strumming guitars, making their own music. Within a few hours, they would learn stirring hymns of freedom, but most only knew one such song now, and now seemed too soon