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Funeral in Blue - Anne Perry [157]

By Root 878 0
tell them . . . and . . . and get a constable.”

“Thank you,” Monk said. He reached across and touched Hester’s arm. He felt an ease inside that resolution always brought, but no victory yet. Kristian would be freed, of course, but he still had shattering truths to accept. He himself was not who he had believed he was. His heritage, his very blood, was different. He was one of the people he had been brought up to think of as outsiders, somehow inferior, and yet a people who had given the Western world the core of its soul, and so of its culture also. The thought was almost too big to grasp, but he would have to.

As he turned it over in his mind, Monk became aware of an intense need within himself to know his own roots, the meaning of his identity that hung only in shadows and pieces in his own mind. Who were his people? Where did they fit in the history of his land? What had they believed, lived for or died for? What had they given anyone?

It was not enough to ask; he must begin to look for the answers. The truth about everyone else was important. It was his job. What of the truth about himself? Who were the people he should have felt the bond with that Hester felt for Charles? Where was his blood tie to the past?

Runcorn came back, closing the door behind him. He looked first at Hester, then at Monk.

“You all right?” he asked.

“Yes, of course,” Monk replied, tightening his grip on Hester’s arm.

“Good,” Runcorn replied. “I’ve got a constable with me, and another coming.” He glanced at the silent figure on the bed. “What a terrible waste,” he said, shaking his head a little. “He could have done so much.” He turned back to Monk. “Cook’s got up and made us a pot of tea,” he added. “Look like you could take a cup.”

Monk saw kindness in his face, even a flash of the old friendship.

“Thank you,” he said, smiling, although he had not meant to. “That’s a very good idea. Let’s do that.” And guiding Hester in front of him, he went out of the room and along the passage side by side with Runcorn.

By Anne Perry


Published by The Ballantine Publishing Group

Featuring William Monk

The Face of a Stranger

A Dangerous Mourning

Defend and Betray

A Sudden, Fearful Death

The Sins of the Wolf

Cain His Brother

Weighed in the Balance

The Silent Cry

A Breach of Promise

The Twisted Root

Funeral in Blue

Featuring Thomas and Charlotte Pitt

The Cater Street Hangman

Callander Square

Paragon Walk

Resurrection Row

Bluegate Fields

Rutland Place

Death in the Devil’s Acre

Cardington Crescent

Silence in Hanover Close

Bethlehem Road

Highgate Rise

Belgrave Square

Farriers’ Lane

The Hyde Park Headsman

Traitors Gate

Pentecost Alley

Ashworth Hall

Brunswick Gardens

Bedford Square

Half Moon Street

The Whitechapel Conspiracy

Slaves of Obsession

A Ballantine Book

Published by The Ballantine Publishing Group

Copyright © 2001 by Anne Perry

All rights reserved under International and Pan-American Copyright Conventions.

Published in the United States by The Ballantine Publishing Group,

a division of Random House, Inc., New York, and simultaneously

in Canada by Random House of Canada Limited, Toronto.

Ballantine is a registered trademark and

the Ballantine colophon is a trademark of Random House, Inc.

www.ballantinebooks.com

Library of Congress Cataloging-in-Publication Data

Perry, Anne.

Funeral in blue / Anne Perry.—1st ed.

p. cm.

ISBN 0-345-44001-3 (alk. paper)

1. Monk, William (Fictitious character)— Fiction. 2. Private

investigators—England—London—Fiction. 3. London (England)—

Fiction. 4. Nurses—Fiction. I. Title.

PR6066.E693 F86 2001

823′.914—dc21

2001037481

Manufactured in the United States of America

First Edition: October 2001

v3.0

To Meg MacDonald, for her wonderful ideas,

her work, and her belief in me

Read on for an excerpt from Anne Perry’s


Treason at Lisson Grove

A Charlotte and Thomas Pitt Novel

CHAPTER

1

“THAT’S HIM!” GOWER YELLED above the sound of the traffic. Pitt turned on his heel just in time to see a figure dart between the rear

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