Funeral in Blue - Anne Perry [46]
“I doubt it,” Monk lied. Surely without any resident servants she would have to do most of the housework, cooking and laundry herself. Or perhaps with so little of the house occupied, there was far less to attend to. Only sufficient food for Kristian when he was home, and herself if she was not out with friends or at the gambling tables. Maybe Kristian had his shirts laundered at the hospital.
“Then what?” Runcorn asked. They crossed the Gray’s Inn Road and walked north. “I was ill once with bronchitis. Took me ages to get back to regular duty. Enjoyed the rest for the first two or three days. Thought I’d get a lot out of a fortnight. Nearly drove me mad! Never been so bored in my life. Came back before the doctor said I should because I couldn’t stand it.”
Monk could picture it in his mind. Runcorn relaxing with a good book was almost a contradiction in ideas. Again he suppressed a smile with difficulty.
Runcorn saw it and glared at him.
“Sympathy!” Monk said quickly. “Broke my ribs, remember?”
Runcorn grunted, and they went on in silence as far as Acton Street and turned the corner. “Wouldn’t like to be a lady,” he said thoughtfully. “Imagine I’d rather have work to do . . . unless, of course, I didn’t know any different.” He was still frowning, trying to imagine a world so terrifyingly empty, when they reached the top of the stairs and knocked on Allardyce’s studio door.
It was several moments before it was opened by Allardyce himself, looking angry and half asleep. “What in hell’s name do you want at this hour?” he demanded. “It’s barely daylight! Haven’t you got a home?”
“It’s nearly nine o’clock, sir,” Runcorn answered flatly, his face set in disapproval and studiously avoiding looking at Allardyce’s hastily pulled on trousers and his nightshirt tails hanging over them. His feet were bare, and he moved from one to the other on the chilly step.
“I suppose policemen have to be up at this ungodly hour,” Allardyce said irritably. “What do you want now? You’d better come in, because I’m not standing out here any longer.” And he turned and went back inside, leaving the door open for them.
Runcorn followed him in, and Monk came a step behind. The studio was otherwise unoccupied, but there were canvases stacked against the walls. Half a dozen were in one stage or another of development—four portraits, one street scene, an interior with two girls sitting on a sofa reading. The one painting on the easel was of a man of middle age and a great look of self-satisfaction. Presumably it was a commission.
Allardyce muttered something under his breath and disappeared through the farther door.
Runcorn wrinkled his nose very slightly. He said nothing, but his face was eloquent of his disgust.
Monk walked over to a sheaf of drawings in a folder and opened them up. The first was brilliant. The artist had used only a charcoal pencil, but with an extraordinary economy of stroke he had caught the suppressed energy in face and body as three women leaned over a table. The dice were so insignificant it took a moment before Monk even saw them. All the passion was in the faces, the eyes, the open mouths, the jagged force that held them transfixed. Gamblers.
He turned it over quickly and looked at the next. Gamblers again, but this time with the vacant stare of the loser. It was powerful, desolate. A home or a fortune lost on the turn of a piece of colored cardboard, but all despair was in the eyes.
The third was a beautiful woman, her face alight as if at sight of a lover, her eyes shining, her lips parted, but it was a fan of cards that she stared at, a winning hand, colors and suits blurred, already without meaning as she looked towards the next deal. Victory was so sweet, and the taste of it an instant, and then gone again.
Elissa Beck.
Monk turned the rest, aware of Runcorn at his shoulder, watching, saying nothing.
There were pictures of this woman, some sketched so hastily they were