Funeral in Blue - Anne Perry [71]
Only for an instant did he wonder why, then knowledge of it was plain in his eyes. He came further into the room. His expression softened a little, but it obviously cost him an effort of will. “Of course. It would be absurd to wait upon convention at such a time. Would you prefer to speak here or in the withdrawing room? Have you taken tea?”
“Not yet,” she replied. She did not care whether she had tea or not, but he might be tired and thirsty, and feel more comfortable if he offered hospitality. It gave one something to do with one’s hands, time to think of a reply to an unforeseen or difficult question, and an excuse to look away without rudeness. “That would be most agreeable, thank you.”
A flicker of relief crossed his face, and he led her back across the hall to the withdrawing room, instructing the maid to bring tea for them both.
On the day of the funeral she had barely noticed the room. Now, empty of people and with the black crepe of the occasion removed except around the pictures, she saw the magnificence of it. It faced south, and there were long windows to the front, which meant that the unusually large amount of blue in curtains and furniture did not make it cold, rather it gave it a depth and a sense of calm that warmer tones would not.
He caught her admiration and smiled, but he made no comment.
She did not wish to open the subject of Elissa until the maid had brought the tea and gone. Until then she would prefer to speak of something of mutual interest but no emotional heat. She remained standing and looked at the very fine portraits on the wall. One in particular caught her eye. It was of a woman with a handsome face and magnificent hair the shade of warm, dry sand, paler even than corn. The style of her gown was of some twenty years ago, and she looked to be in her middle or late thirties. The resemblance was so marked that she assumed it was Pendreigh’s sister, or at the most distant, a cousin.
“My sister, Amelia,” he said quietly from a few feet behind her. There was a sorrow in his voice she could not miss. She did not know whether he had meant to conceal it or allowed it to be heard because the wound was still raw and it comforted him to share something of it.
“She has a remarkable face,” she said sincerely. “Rather more than beautiful.”
“She was,” he replied. “She had extraordinary courage, and . . .” He stopped for a moment, as if to compose himself. “Generosity of spirit,” he finished.
The use of the past tense and the emotion in his voice required she pursue the subject, but with the greatest delicacy. “She looks no more than thirty-five,” she said, leaving it open for him to say whatever he pleased, or to pass on to something else, perhaps the next picture.
“Thirty-eight, actually,” he answered her. “It was the year before she died.”
“I’m so sorry.” It would be tactless to ask what had happened. It could be any of a score of illnesses, without even considering accident.
“Poverty!” His voice was so harsh it actually distorted the word so that for a moment she was not sure if she had heard him correctly. She turned to face him, and the pain and the anger she saw in him startled her. It was as fresh as if it had only just happened, and yet from the picture, it must have been a quarter of a century ago.
“You think I can’t mean it, don’t you?” he asked with a sharp gesture at the room around him, which was obviously that of a wealthy man. “My family had money. My father died quite young, and he was generous to Amelia as well as to me. She was an heiress when she married.” He left the conclusion for her to draw, a challenge in his eyes, hard and bright.
Of course, when she married everything she owned would automatically have become her husband’s. It was the law;