Funeral in Blue - Anne Perry [77]
“Yes, it does,” Monk said quietly. “It means Elissa was killed first. The earring was torn off when he put his arm around her neck . . . and broke it. It probably caught in his sleeve and in her struggle was ripped from her. He didn’t notice it fall. Then when Sarah came out of one of the other rooms and saw Elissa dead, he killed her, too, and she fell onto the floor, over where the earring had disappeared.”
Allardyce rubbed his hand across his face, leaving a smear of green paint on his cheek. “Poor Sarah,” he said softly. “All she ever did was look beautiful. And be in the wrong place.”
Runcorn pushed his hands deep into his pockets and stared at Monk. He didn’t say anything, but there was no need. The time had come when they could avoid it no longer. It was not Sarah who was the intended victim; it had been no more to do with her than mischance. It was not gamblers or debt collectors. Max Niemann’s visits to London, his meetings with Elissa that Kristian knew nothing of, were more motive, not less. Even the paid debts made it worse. Either it was the very last of Kristian’s money, or uglier even than that, it was money Elissa had sold herself for.
“I’m going to the hospital,” Runcorn said wearily. “You don’t have to come if you don’t want to.”
“I’ll come,” Monk replied. He bent and picked up the delicate earring and dropped it into Runcorn’s hand. “You can put your carpets any damn way you like, Mr. Allardyce, but if you alter that floorboard I’ll jail you as an accomplice. Do you understand?”
Allardyce did not answer but stood, head bowed, in the middle of the floor as Monk and Runcorn went out and down the steps back into the rain.
CHAPTER EIGHT
When Monk left the house early in the morning, almost before his footsteps died away and Hester heard the front door close, her mind was filled again with the fear that Charles was involved in Elissa’s death. It loomed so sharp and painful she would almost rather the unsigned letter Charles had left with her were a love letter from some man than proof that it was Elissa who had introduced Imogen to the gambling which had grown into a thing that now raged through her like a destroying fire.
She had to know. As long as it was still unresolved every nightmare was a possibility. And yet it was also possible that the note was not from Elissa, and the two women had never met, and whatever had made Charles lie to her about having driven down Drury Lane was perfectly innocent, at least as far as Elissa was concerned. It could be simply embarrassing, a little foolish.
As soon as Mrs. Patrick, her housekeeper, arrived, Hester explained that she had an urgent errand to run. With the letter in her reticule, she put on her hat and coat and went out into the rain. It was a considerable journey from Grafton Street to the Hampstead Hospital to ask Kristian for any piece of Elissa’s handwriting to compare.
All the long journey she sat and twisted her hands together, trying to keep her racing imagination from picturing Imogen and Elissa, Charles’s fury when he found out, his incomprehension, and all the violence and tragedy that could have flowed from it. She argued one way, and then the other, hope to terror, and back again. It was so easy to let the mind race away, creating pictures, building pain.
By the time she reached the hospital and alighted she was so tense she stumbled over the curb and regained her balance only just in time to prevent herself from falling. This was ridiculous! She had faced battlefields. Why did it strike into the heart of her that her brother might have killed Elissa Beck?
Because whoever it was had killed Sarah Mackeson as well. There was an element in a crime of desperation to save someone you love from a force of destruction. But killing Sarah was to save himself, an instinctive resort to violence at the cost of someone else’s life.
She ran up the steps, all but bumping into a student doctor coming down. He scowled at her and muttered something