Gala-Days [40]
the softly flowing Italian name; and then we pass under the arch of the famous Victoria Bridge, whose corner-stone, or cap-stone, or whatever it is that bridges have, was laid by the Prince of Wales. (And to this day I do not know how the flag-staff of our boat cleared the arch. It was ten feet above it, I should think, and I looked at it all the time, and yet it shrivelled under in the most laughable yet baffling manner.) In the mild twilight we disembarked, and were quickly omnibused to the relics of Donegana, which turned out to be very well, very well indeed for ruins, with a smart stone front, and I don't know but stone all the way through, with the usual allowance of lace curtains, and carpets, and gilding in the parlors, notwithstanding flames and conjugal desolation; also a hand welcomed us in the gas-lit square adjoining, and we were hospitably entreated and transmitted to the breakfast-table next morning in perfect sight-seeing trim; only the Anakim was cross, and muttered that they had sent him out in the village to sleep among the hens, and there was a cackling and screaming and chopping off of heads all night long. But the breakfast-table assured us that many a cackle must have been the swan-song of death. Halicarnassus wondered if something might not be invented to consume superfluous noise, as great factories consume their own smoke, but the Anakim said there was no call for any new invention in that line so long as Halicarnassus continued in his present appetite,--with a significant glance at the plump chicken which the latter was vigorously converting into mammalia, and which probably was the very one that disturbed the Anakim's repose. And then we discussed the day's plan of operations. Halicarnassus said he had been diplomatizing for a carriage. The man in the office told him he could have one for five dollars. He thought that was rather high. Man said it was the regular price; couldn't get one for any less in the city. Halicarnassus went out and saw one standing idle in the market-place. Asked the price. Three dollars. For how long? Drive you all round the city, Sir; see all the sights. Then he went back and told the man at the office.
"Well," I said, after he had swallowed a wassail-bowl of coffee, and showed no disposition to go on, "what did you do then?"
"Came in to breakfast."
"Didn't you tell the clerk you would not take his carriage?"
"No."
"Didn't you tell the other man you would take his?"
"No."
"What DID you do?"
"Let it work. Don't be in a hurry. Give a thing time to work."
"And suppose it should work you out of any carriage at all?"
"No danger." And to be sure, when we had finished breakfast, the three-dollar hack was there awaiting our pleasure. Our pleasure was to drive out into the British possessions, first around the mountain, which is quite a mountain for a villa, though nothing to speak of as a mountain, with several handsome residences on its sides, and a good many not so handsome; but the mountain is a pet of Montreal, and, as I said, quite the thing for a cockney mountain. Then we went to the French Cathedral, which is, I believe, the great gun of ecclesiastical North America, but it hung fire with me. It was large, but not great. There was no unity. It was not impressive. It was running over with frippery,--olla podrida cropping out everywhere. It confused you. It distracted you. It wearied you. You sighed for somewhat simple, quiet, restful. The pictures were pronounced poor. I don't know whether they were or not. I never can tell a picture as a cook tells her mince-pie meat, by tasting it. One picture is a revealer and one is a daub; but they are alike to me at first glance. For a picture has an individuality all its own. You must woo it with tender ardor, or it will not yield up its heart. The chance look sees only color and contour; but as you gaze the color glows, the contour throbs, the hidden soul heaves the inert canvas with the solemn palpitations of life. Art is dead no longer, but informed with divine vitality.
"Well," I said, after he had swallowed a wassail-bowl of coffee, and showed no disposition to go on, "what did you do then?"
"Came in to breakfast."
"Didn't you tell the clerk you would not take his carriage?"
"No."
"Didn't you tell the other man you would take his?"
"No."
"What DID you do?"
"Let it work. Don't be in a hurry. Give a thing time to work."
"And suppose it should work you out of any carriage at all?"
"No danger." And to be sure, when we had finished breakfast, the three-dollar hack was there awaiting our pleasure. Our pleasure was to drive out into the British possessions, first around the mountain, which is quite a mountain for a villa, though nothing to speak of as a mountain, with several handsome residences on its sides, and a good many not so handsome; but the mountain is a pet of Montreal, and, as I said, quite the thing for a cockney mountain. Then we went to the French Cathedral, which is, I believe, the great gun of ecclesiastical North America, but it hung fire with me. It was large, but not great. There was no unity. It was not impressive. It was running over with frippery,--olla podrida cropping out everywhere. It confused you. It distracted you. It wearied you. You sighed for somewhat simple, quiet, restful. The pictures were pronounced poor. I don't know whether they were or not. I never can tell a picture as a cook tells her mince-pie meat, by tasting it. One picture is a revealer and one is a daub; but they are alike to me at first glance. For a picture has an individuality all its own. You must woo it with tender ardor, or it will not yield up its heart. The chance look sees only color and contour; but as you gaze the color glows, the contour throbs, the hidden soul heaves the inert canvas with the solemn palpitations of life. Art is dead no longer, but informed with divine vitality.