Generation Kill - Evan Wright [32]
On the ground here, the first and last lines of defense are these Marines, who haven’t slept all night. They can spot approaching hostile units from a kilometer or two out, which will only give them a few minutes to prepare. Not much time if it’s a sizable force.
Colbert’s team and the rest in the platoon are ordered to cover their Humvee in cammie nets and dig in facing the tracks. The battalion spreads out in a defensive perimeter across a couple of kilometers. Fick tells the men their job is to observe the tracks tonight, but not even he knows what they’re really supposed to be looking for, or why they’re doing it.
It amazes me, as the only civilian among them, how little these guys actually know at times about what they’re doing or what the future holds. But the more time you spend with a combat unit, the more you realize nobody cares too much about what they’re told is going to be happening in the near future because orders change constantly anyway. Besides that, most Marines’ minds are occupied with the minutiae of survival in the present, scanning the vista in this land they’ve just invaded, searching for signs of the enemy.
Still, some of the men are deeply disappointed by the apparent cancellation of the bridge mission. “No mission?” Garza asks. He steps down from the Humvee turret after spending approximately eighteen hours there—through the night and much of the day under a blazing sun. “I’ll be mad if we don’t get in this war.”
“Missions are always getting fragged,” Colbert says, resigned. “The mission isn’t important. Just doing your job is.”
His team spends forty minutes digging Ranger graves about 800 meters from the elevated train tracks. The desert pan is so hard here, where a few inches beneath the sandy topsoil it’s interlaced with vestigial coral from the era when this was underwater (specifically, as part of the Persian Gulf, which used to be a sea covering all of Kuwait and southern Iraq), that every inch has to be hacked away with pickaxes, the blades sparking with each blow to the stoney crust. As soon as we are finished, the battalion orders everyone to move forward to within thirty meters of the tracks.
“The dirt will be better where we’re going,” Colbert reassures his weary men.
But the dirt is the same. We chop a new set of graves as oil fires some twenty-five kilometers distant compete with the sunset. With the sun dropping, the temperature plummets and sweat-drenched MOPPs now feel like they’re lined with ice, not merely hard plastic. The Marines cover the Humvee in cammie nets. Half the Marines go on watch; the other half settle in for two hours of sleep.
Sleep is a sketchy proposition. Marines are not permitted to take their MOPP suits or boots off, even at night. They crawl into the Ranger graves fully dressed, with their weapons and gas masks at their sides. Some wrap themselves in ponchos. Others sleep inside “bivy sacks”—zippered pouches that have an uncanny resemblance to body bags.
After dark, the oil fires make the night sky flicker like it’s illuminated by a broken fluorescent light. American planes fly overhead, too high to be seen, but they throw out flares to repel missiles, which flash like lightning. One thing about war I’ve learned: It produces amazingly colorful night skies.
Trombley, now on watch, spots wild dogs. “I’m going to leave some food out by my hole tonight,” he says. “I’m going to shoot me a dog.”
“No, you’re not, Trombley,” Colbert says, his voice rising from his Ranger grave. “No one’s shooting any dogs in Iraq.”
IT RAINS AFTER MIDNIGHT, turning my Ranger grave into a mud pit. Temperatures have dropped into the forties. Everyone is awake, shivering