Genghis Khan and the Making of the Modern World - Jack Weatherford [110]
In staking out his territory, Mongke turned attention to his newly claimed capital city of Karakorum, which for twenty years had served as the center and symbol of the power of Ogodei’s family. Mongke, however, intended to transform the modest city from the family seat of Ogodei’s lineage into an imperial capital of the Mongol Empire. Before Ogodei built Karakorum, the area had belonged to the Kereyid, and in particular to Ong Khan and his family, including Sorkhokhtani, Mongke’s mother and the niece of Ong Khan.
He needed to make his own mark on the capital, and since Ogodei had already used Chinese and Persian architects, Mongke turned to the Christian craftsmen captured in his part of the European campaign. Although he showed no appreciation for European architecture, the technical ability of the metalworkers had impressed him. When his army took the city of Belgrade, they had captured Guillaume Boucher, a Parisian goldsmith. Because of his ability to make Christian religious objects, Boucher had been given to Sorkhokhtani, and on her death he passed to Mongke’s younger brother Arik Boke. Mongke selected Boucher, together with a team of fifty assistant craftsmen, to add an exotic European flair to the Mongol capital, and he did so in an overwhelming but idiosyncratic style that amazed visitors to his courts.
Envoys to Mongke’s court at Karakorum reported the working of an unusual contraption in his palace. A large tree sculpted of silver and other precious metals rose up from the middle of his courtyard and loomed over his palace, with the branches of the tree extending into the building and along the rafters. Silver fruit hung from the limbs, and it had four golden serpents braided around the trunk. At the top of the tree, rose a triumphant angel, also cast in silver, holding a trumpet at his side. An intricate series of pneumatic tubes inside the tree allowed unseen servants to blow into them and manipulate them to produce what seemed to be acts of magic. When the khan wanted to summon drinks for his guests, the mechanical angel raised the trumpet to his lips and sounded the horn, whereupon the mouths of the serpents began to gush out a fountain of alcoholic beverages into large silver basins arranged at the base of the tree. Each pipe discharged a different drink—wine, black airak, rice wine, and mead.
The four serpents on the Silver Tree of Karakorum symbolized the four directions in which the Mongol Empire extended, as did the four alcoholic drinks derived from crops of distant and exotic civilizations: grapes, milk, rice, and honey. Trees were rare on the steppe, but they had a more important role in the homeland and origin of the Mongol family of Genghis Khan. In their oral history, the first ancestor to try to unite the Mongol tribes had been made khan under a tree on the Khorkhonag steppe, and it was in this same area that Temujin and Jamuka had taken the oath as andas after the Merkid battle. The whole contraption offered a spectacular and pungent reminder of the Mongol origins and of their mission to conquer the entire world in all four directions. Mongke accepted the obligation to bring everything under the rule of the Mongol state that stood like one massive tree at the center of the universe. Mongke Khan took that command as the literal destiny of his nation and as his responsibility to achieve.
As part of his more Western orientation, Christianity temporarily resumed its ascendancy in Mongke’s court, a trend reinforced by the large number of Christian wives in the Golden Family and by the steadfast loyalty shown by Christian nations such as Georgia and Armenia. Near the end of 1253, the Year of the Ox, William of Rubruck, a Franciscan monk, came to the Mongol court as an envoy from the French king. From his writings, an intriguing, although not always detailed, description emerged of the rivalries among the Christians and other religions in the Mongol court. Rubruck had the opportunity to see how the