Genius_ The Life and Science of Richard Feynman - James Gleick [20]
This cornucopian world was a place for play, not work. Yet unlike its stolid high-school counterpart it actually connected here and there to real, adult mathematics. Illusory though the feeling was at first, Feynman had the sense of conducting research, solving unsolved problems, actively exploring a live frontier instead of passively receiving the wisdom of a dead era. In school every problem had an answer. In recreational mathematics one could quickly understand and investigate problems that were open. Mathematical game playing also brought a release from authority. Recognizing some illogic in the customary notation for trigonometric functions, Feynman invented a new notation of his own: √x for sin √x for cos (x), √x for tan (x). He was free, but he was also extremely methodical. He memorized tables of logarithms and practiced mentally deriving values in between. He began to fill notebooks with formulas, continued fractions whose sums produced the constants π and e.
A page from one of Feynrnan's teenage notebooks.
A month before he turned fifteen he covered a page with an elated inch-high scrawl:
THE MOST REMARKABLE
FORMULA
IN MATH.
eiπ + 1 = 0
(FROM SCIENCE HISTORY OF THE UNIVERSE)
By the end of this year he had mastered trigonometry and calculus, both differential and integral. His teachers could see where he was heading. After three days of Mr. Augsbury’s geometry class, Mr. Augsbury abdicated, putting his feet up on his desk and asking Richard to take charge. In algebra Richard had now taught himself conic sections and complex numbers, domains where the business of equation solving acquired a geometrical tinge, the solver having to associate symbols with curves in the plane or in space. He made sure the knowledge was practical. His notebooks contained not just the principles of these subjects but also extensive tables of trigonometric functions and integrals—not copied but calculated, often by original techniques that he devised for the purpose.