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Genius_ The Life and Science of Richard Feynman - James Gleick [20]

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most people it was clear enough what mathematics was—a cool body of facts and rote algorithms, under the established headings of arithmetic, algebra, geometry, trigonometry, and calculus. A few, though, always managed to find an entry into a freer and more colorful world, later called “recreational” mathematics. It was a world where rowboats had to ferry foxes and rabbits across imaginary streams in nonlethal combinations; where certain tribespeople always lied and others always told the truth; where gold coins had to be sorted from false-gold in just three weighings on a balance scale; where painters had to squeeze twelve-foot ladders around inconveniently sized corners. Some problems never went away. When an eight-quart jug of wine needed to be divided evenly, the only measures available were five quarts and three. When a monkey climbed a rope, the end was always tied to a balancing weight on the other side of a pulley (a physics problem in disguise). Numbers were prime or square or perfect. Probability theory suffused games and paradoxes, where coins were flipped and cards dealt until the head spun. Infinities multiplied: the infinity of counting numbers turned out to be demonstrably smaller than the infinity of points on a line. A boy plumbed geometry exactly as Euclid had, with compass and straightedge, making triangles and pentagons, inscribing polyhedra in circles, folding paper into the five Platonic solids. In Feynman’s case, the boy dreamed of glory. He and his friend Leonard Mautner thought they had found a solution to the problem of trisecting an angle with the Euclidean tools—a classic impossibility. Actually they had misunderstood the problem: they could trisect one side of an equilateral triangle, producing three equal segments, and they mistakenly assumed that the lines joining those segments to the far corner mark off equal angles. Riding around the neighborhood on their bicycles, Ritty and Len excitedly imagined the newspaper headlines: “Two Children in High School First Learning Geometry Solve the Age-Old Problem of the Trisection of the Angle.”

This cornucopian world was a place for play, not work. Yet unlike its stolid high-school counterpart it actually connected here and there to real, adult mathematics. Illusory though the feeling was at first, Feynman had the sense of conducting research, solving unsolved problems, actively exploring a live frontier instead of passively receiving the wisdom of a dead era. In school every problem had an answer. In recreational mathematics one could quickly understand and investigate problems that were open. Mathematical game playing also brought a release from authority. Recognizing some illogic in the customary notation for trigonometric functions, Feynman invented a new notation of his own: √x for sin √x for cos (x), √x for tan (x). He was free, but he was also extremely methodical. He memorized tables of logarithms and practiced mentally deriving values in between. He began to fill notebooks with formulas, continued fractions whose sums produced the constants π and e.

A page from one of Feynrnan's teenage notebooks.

A month before he turned fifteen he covered a page with an elated inch-high scrawl:

THE MOST REMARKABLE

FORMULA

IN MATH.

eiπ + 1 = 0

(FROM SCIENCE HISTORY OF THE UNIVERSE)

By the end of this year he had mastered trigonometry and calculus, both differential and integral. His teachers could see where he was heading. After three days of Mr. Augsbury’s geometry class, Mr. Augsbury abdicated, putting his feet up on his desk and asking Richard to take charge. In algebra Richard had now taught himself conic sections and complex numbers, domains where the business of equation solving acquired a geometrical tinge, the solver having to associate symbols with curves in the plane or in space. He made sure the knowledge was practical. His notebooks contained not just the principles of these subjects but also extensive tables of trigonometric functions and integrals—not copied but calculated, often by original techniques that he devised for the purpose.

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