Gerald's Game - Stephen King [67]
Your father cannot come back from the dead, Goodwife Burlingame said in a voice that strove to be firm and failed miserably. Still, Jessie saluted her effort. Come hell or high water, the Goodwife stayed right in there and kept pitching. This isn't a horror movie or an episode of The Twilight Zone, Jess; this is real life.
But another part of her — a part which was perhaps the home of those few voices inside which were the real UFOS, not just the wiretaps her subconscious had patched into her conscious mind at some point — insisted that there was a darker truth here, something that trailed from the heels of logic like an irrational (and perhaps supernatural) shadow. This voice insisted that things changed in the dark. Things especially changed in the dark, it said, when a person was alone. When that happened, the locks fell off the cage which held the imagination, and anything — any things — might be set free.
It can be your Daddy, this essentially alien part of her whispered, and with a chill of fear Jessie recognized it as the voice of madness and reason mingled together. It can be, never doubt it. People are almost always safe from ghosts and ghouls and the living dead in daylight, and they're usually safe from them at night if they're with others, hut when a person is alone in the dark, all bets are off. Men and women alone in the dark are like open doors, Jessie, and if they call out or scream for help, who knows what dread things may answer? Who knows what some men and women have seen in the hour of their solitary deaths? Is it so hard to believe that some of them may have died of fear, no matter what the words on the death certificates say?
'I don't believe that,' she said in a blurry, wavering voice. She spoke louder, striving for a firmness she didn't feel. 'You're not my father! I don't think you're anyone! I think you're only made of moonlight!'
As if in answer, the figure bent forward in a kind of mocking bow, and for one moment its face — a face which seemed too real to doubt — slipped out of the shadows. Jessie uttered a rusty shriek as the pallid rays falling through the skylight painted its features with tawdry carnival gilt. It wasn't her father; compared with the evil and the lunacy she saw in the face of her visitor, she would have welcomed her father, even after twelve years in a cold coffin. Red-rimmed, hideously sparkling eyes regarded her from deep eye-sockets wrapped in wrinkles. Thin lips twitched upward in a dry grin, revealing discolored molars and jagged canines which seemed almost as long as the stray dog's fangs.
One of its white hands lifted the object she had half-seen and half-intuited sitting by its feet in the darkness. At first she thought it had taken Gerald's briefcase from the little room he used as a study down here, but when the creature lifted the box-shaped thing into the light, she saw it was a lot bigger than Gerald's briefcase and much older. It looked like the sort of old-fashioned sample case travelling salesmen had once carried.
'Please,' she whispered in a strengthless, wheezing little voice. 'Whatever you are, please don't hurt me. You don't have to let me go if you don't want to, that's all right, but please don't hurt me.
Its grin grew, and she saw tiny twinkles far back in its mouth — her visitor apparently had gold teeth or gold fillings in there, just like Gerald. It seemed to laugh soundlessly, as if gratified by her terror. Then its long fingers were unsnapping the catches of its bag
(I amdreaming, I think, now it does feel like a dream, oh thank God it does)
and holding it open to her. The case was full of bones and jewelry. She saw finger-bones and rings and teeth and bracelets and ulnae and pendants; she saw a diamond big enough to choke a rhino, glittering milky trapezoids of moonlight from within the stiff, delicate curves of an infant's ribcage. She saw these things and wanted them to be