Gerald's Game - Stephen King [80]
'Witness, witness,' Marvin pleaded, fading out now.
Her father shifted, pressing the hard thing more firmly against her bottom. Jessie suddenly realized what it was — not the handle of a screwdriver or the tackhammer from the toolbox in the pantry, that was for sure — and the alarm she felt was matched by a momentary spiteful pleasure which had more to do with her mother than with her father.
This is what you get for not sticking up for me, she thought, looking at the dark circle in the sky through the layers of smoked glass, and then: I guess this is what we both get. Her-vision suddenly blurred, and the pleasure was gone. Only the mounting sense of alarm was left. Oh jeez, she thought. It's my retinas . . . it must be my retinas starting to burn.
The hand on her thigh now moved between her legs, slid up until it was stopped by her crotch, and cupped her firmly there. He shouldn't be doing that, she thought. It was the wrong place for his hand. Unless —
He's goosing you, a voice inside suddenly spoke up.
In later years that voice, which she eventually came to think of as that of the Goodwife, frequently filled her with exasperation; it was sometimes the voice of caution, often the voice of blame, and almost always the voice of denial. Unpleasant things, demeaning things, painful things . . . they would all go away eventually if you ignored them enthusiastically enough, that was the Goodwife's view. It was a voice apt to stubbornly insist that even the most obvious wrongs were actually rights, parts of a benign plan too large and complex for mere mortals to grasp. There would be times (mostly during her eleventh and twelfth years, when she called that voice Miss Petrie, after her secondgrade teacher) when she would actually raise her hands to her ears to try and blot out that quacking, reasonable voice — useless, of course, since it originated on the side of her ears she couldn't get to — but in that moment of dawning dismay while the eclipse darkened the skies over western Maine and reflected stars burned in the depths of Dark Score Lake, that moment when she realized (sort of) what the hand between her legs was up to, she heard only kindness and practicality, and she seized upon what the voice was saying with panicky relief.
It's just a goose, that's all it is, Jessie.
Are you sure? she cried back.
Yes, the voice replied firmly — as the years went by, Jessie would discover that this voice was almost always sure, wrong or right. He means it as a joke, that's all. He doesn't know he's scaring you, so don't open your mouth and spoil a lovely afternoon. This is no big deal.
Don't you believe it, toots! the other voice — the tough voice responded. Sometimes he behaves as if you're his goddamned girlfriend instead of his daughter, and that's what he's doing right now! He's not goosing you. Jessie! He's fucking you!
She was almost positive that was a lie, almost positive that strange and forbidden schoolyard word referred to an act that could not be accomplished with just a hand, but doubts remained. With sudden dismay she remembered Karen Aucoin telling her not to ever let a boy put his tongue in her mouth, because it could start a baby in her throat. Karen said it sometimes happened that way, but that a woman who had to vomit her baby to get it out almost always died, and usually the baby died, too. I ain't ever going to let a boy French-kiss me, Karen said. I might let one feel me on top, if I really loved him, but I don't ever want a baby in my throat. How would you EAT?
At the time, Jessie had found this concept of pregnancy so crazy it was almost charming — and who but Karen Aucoin, who worried about whether or not the light stayed on when you shut the refrigerator door, could have come up with such a thing? Now, however, the idea shimmered with its own weird logic. Suppose — just suppose — it was true? If you could get a baby from a boy's tongue,