Gilead - Marilynne Robinson [19]
It was quite a sermon, I believe. I thought as I wrote it how pleased my father would have been. But my courage failed, because I knew the only people at church would be a few old women who were already about as sad and apprehensive as they could stand to be and no more approving of the war than I was. And they were there even though I might have been contagious. I seemed ridiculous to myself for imagining I could thunder from the pulpit in those circumstances, and I dropped that sermon in the stove and preached on the Parable of the Lost Sheep. I wish I had kept it, because I meant every word. It might have been the only sermon I wouldn't mind answering for in the next world. And I burned it. But Mirabelle Mercer was not Pontius Pilate, and she was not Woodrow Wilson, either.
Now I think how courageous you might have thought I was if you had come across it among my papers and read it. It is hard to understand another time. You would never have imagined that almost empty sanctuary, just a few women there with heavy veils on to try to hide the masks they were wearing, and two or three men. I preached with a scarf around my mouth for more than a year. Everyone smelled like onions, because word went around that flu germs were killed by onions. People rubbed themselves down with tobacco leaves.
In those days there were barrels on the street corners so we could contribute peach pits to the war effort. The army made them into charcoal, they said, for the filters in gas masks. It took hundreds of pits to make just one of them. So we all ate peaches on grounds of patriotism, which actually made them taste a little different. The magazines were full of soldiers wearing gas masks, looking stranger than we did. It was a remarkable time.
Most of the young men seemed to feel that the war was a courageous thing, and maybe new wars have come along since I wrote this that have seemed brave to you. That there have been wars I have no doubt. I believe that plague was a great sign to us, and we refused to see it and take its meaning, and since then we have had war continuously.
I'm not entirely sure I do believe that. Boughton would say, "That's the pulpit speaking." True enough, but what that means I don't know.
My own dark time, as I call it, the time of my loneliness, was most of my life, as I have said, and I can't make any real account of myself without speaking of it. The time passed so strangely, as if every winter were the same winter, and every spring the same spring. And there was baseball. I listened to thousands of baseball games, I suppose. Sometimes I could just make out half a play, and then static, and then a crowd roaring, a flat little sound, almost static itself, like that empty sound in a seashell. It felt good to me to imagine it, like working out some intricate riddle in my mind, planetary motion. If the ball is drifting toward left field and there are runners on first and third, then—moving the runners and the catcher and the shortstop in my mind. I loved to do that, I can't explain why. And I would think back on conversations I had had in a similar way, really. A great part of my work has been listening to people, in that particular intense privacy of confession, or at least unburdening, and it has been very interesting to me. Not that I thought of these conversations as if they were a contest, I don't mean that. But as you might look at a game more abstractly where is the strength, what is the strategy? As if you had no interest in it except in seeing how well the two sides bring each other along, how much they can require of each other, how the life that is the real subject of it all is manifest in