Girl Who Kicked the Hornets Nest, The - Stieg Larsson [236]
Finally Salander was brought into the courtroom.
Even though Blomkvist was used to Salander’s penchant for shocking clothing, he was amazed that his sister had allowed her to turn up to the courtroom in a black leather miniskirt with frayed seams and a black top – with the legend I am annoyed – which barely covered her many tattoos. She had ten piercings in her ears and rings through her lower lip and left eyebrow. Her head was covered in three months’ worth of uneven stubble after her surgery. She wore grey lipstick and heavily darkened eyebrows, and had applied more black mascara than Blomkvist had ever seen her wear. In the days when he and Salander had spent time together, she had shown almost no interest in make-up.
She looked a bit vulgar, to put it mildly. It was almost a Goth look. She reminded him of a vampire in some pop-art movie from the ’60s. Blomkvist was aware of some of the reporters in the press gallery catching their breath in astonishment or smiling broadly. They were at last getting a look at the scandal-ridden young woman they had written so much about, and she was certainly living up to all their expectations.
Then he realized that Salander was in costume. Usually her style was sloppy and rather tasteless. Blomkvist had assumed that she was not really interested in fashion, but that she tried instead to accentuate her own individuality. Salander always seemed to mark her private space as hostile territory, and he had thought of the rivets in her leather jacket as a defence mechanism, like the quills of a hedgehog. To everyone around her it was as good a signal as any: Don’t try to touch me – it will hurt.
But here in the district court she had exaggerated her style to the point of parody.
It was no accident, it was part of Giannini’s strategy.
If Salander had come in with her hair smoothed down and wearing a twin-set and pearls and sensible shoes, she would have came across as a con artist trying to sell a story to the court. It was a question of credibility. She had come as herself and no-one else. Way over the top – for clarity. She was not pretending to be someone she was not. Her message to the court was that she had no reason to be ashamed or to put on a show. If the court had a problem with her appearance, it was no concern of hers. The state had accused her of a multitude of things, and the prosecutor had dragged her into court. With her very appearance she had already indicated that she intended to brush aside the prosecutor’s accusations as nonsense.
She moved with confidence and sat down next to her lawyer. She surveyed the spectators. There was no curiosity in her gaze. She seemed instead defiantly to be observing and registering those who had already convicted her in the press.
It was the first time Blomkvist had seen her since she lay like a bloody rag doll on the bench in that kitchen in Gosseberga, and a year and a half or more since he had last seen her under normal circumstances. If the term “normal circumstances” could ever be used in connection with Salander. For a matter of seconds their eyes met. Hers lingered on him, but she betrayed no sign of recognition. Yet she did seem to study the bruises that covered Blomkvist’s cheek and temple and the surgical tape over his right eyebrow. Blomkvist thought he discerned the merest hint of a smile in her eyes but could not be sure he had not imagined it. Then Judge Iversen pounded his gavel and called the court to order.
The spectators were allowed to be present in the courtroom for all of thirty minutes. They listened to Ekström’s introductory presentation of the case.
Every reporter except Blomkvist was busily taking notes even though by now all of them knew the charges Ekström intended to bring. Blomkvist had already written his story.
Ekström’s introductory remarks went on for twenty-two minutes.