Girl with the Dragon Tattoo, The - Stieg Larsson [221]
When she was asked why the previous year’s exposé of Wennerström had been such a fiasco, she was even more delphic. She never lied, but she may not always have told the whole truth. Off the record, when she did not have a microphone under her nose, she would utter a few mysterious catch phrases, which, if pieced together, led to some rather rash conclusions. That is how a rumour was born that soon assumed legendary proportions, claiming that Mikael Blomkvist had not presented any sort of defence at his trial and had voluntarily submitted to the prison sentence and heavy fines because otherwise his documentation would have led inevitably to the identification of his source. He was compared to role models in the American media who had accepted gaol rather than reveal their sources, and Blomkvist was described as a hero in such ludicrously flattering terms that he was quite embarrassed. But this was no time to deny the misunderstanding.
There was one thing that everyone agreed on: the person who had delivered the documentation had to be someone within Wennerström’s most trusted circle. This led to a debate about who the “Deep Throat” was: colleagues with reason to be dissatisfied, lawyers, even Wennerström’s cocaine-addicted daughter and other family members were put up as possible candidates. Neither Blomkvist nor Berger commented on the subject.
Berger smiled happily, knowing that they had won when an evening paper on the third day of the frenzy ran the headline MILLENNIUM’S REVENGE. The article was an ingratiating portrait of the magazine and its staff, including illustrations with a particularly favourable portrait of Berger. She was named the “queen of investigative journalism.” That sort of thing won points in the rankings of the entertainment pages, and there was talk of the Big Journalism Prize.
Five days after Millennium fired the first salvo, Blomkvist’s book The Mafia Banker appeared in bookshops. The book had been written during those feverish days at Sandhamn in September and October, and in great haste and under the utmost secrecy it was printed by Hallvigs Reklam in Morgongåva. It was the first book to be published under Millennium’s own logo. It was eccentrically dedicated: To Sally, who showed me the benefits of the sport of golf.
It was a brick of a book, 608 pages in paperback. The first edition of 2,000 copies was virtually guaranteed to be a losing proposition, but the print run actually sold out in a couple of days, and Berger ordered 10,000 more copies.
The reviewers concluded that this time, at any rate, Mikael Blomkvist had no intention of holding back since it was a matter of publishing extensive source references. In this regard they were right. Two-thirds of the book consisted of appendices that were actual copies of the documentation from Wennerström’s computer. At the same time as the book was published, Millennium put the texts from Wennerström’s computer as source material in downloadable PDF files on their website.
Blomkvist’s extraordinary absence was part of the media strategy that he and Berger had put together. Every newspaper in the country was looking for him. Not until the book was launched did he give an exclusive interview to She on TV4, once again scooping the state-run stations. But the questions were anything but sycophantic.
Blomkvist was especially pleased with one exchange when he watched a video of his appearance. The interview was broadcast live at the very moment when the Stockholm Stock Exchange found itself in freefall and a handful of financial yuppies were threatening to throw themselves