Girl with the Dragon Tattoo, The - Stieg Larsson [68]
“It sounds medieval in some ways.”
“It’s ludicrous. It means that today, if Martin wants to implement some policy, he has to waste time on a lobbying operation to ensure support from at least 20 percent to 25 percent of the shareholders. It’s a patchwork quilt of alliances, factions, and intrigues.”
Vanger resumed the history:
“Gottfried Vanger died childless in 1901. Or rather, may I be forgiven, he was the father of four daughters, but in those days women didn’t really count. They owned shares, but it was the men in the family who constituted the ownership interest. It wasn’t until women won the right to vote, well into the twentieth century, that they were even allowed to attend the shareholders’ meetings.”
“Very liberal.”
“No need to be sarcastic. Those were different times. At any rate—Gottfried’s brother, Birger Vanger, had three sons: Johan, Fredrik, and Gideon Vanger. They were all born towards the end of the nineteenth century. We can ignore Gideon; he sold his shares and emigrated to America. There is still a branch of the family over there. But Johan and Fredrik Vanger made the company the modern Vanger Corporation.”
Vanger took out a photograph album and showed Blomkvist pictures from the gallery of characters as he talked. The photographs from the early 1900s showed two men with sturdy chins and plastered-down hair who stared into the camera lens without a hint of a smile.
“Johan Vanger was the genius of the family. He trained as an engineer, and he developed the manufacturing industry with several new inventions, which he patented. Steel and iron became the basis of the firm, but the business also expanded into other areas, including textiles. Johan Vanger died in 1956 and had three daughters: Sofia, Märit, and Ingrid, who were the first women automatically to win admittance to the company’s shareholders’ meetings.
“The other brother, Fredrik Vanger, was my father. He was a businessman and industry leader who transformed Johan’s inventions into income. My father lived until 1964. He was active in company management right up until his death, although he had turned over daily operations to me in the fifties.
“It was exactly like the preceding generation—but in reverse. Johan had only daughters.” Vanger showed Blomkvist pictures of big-busted women with wide-brimmed hats and carrying parasols. “And Fredrik—my father—had only sons. We were five brothers: Richard, Harald, Greger, Gustav, and myself.”
Blomkvist had drawn up a family tree on several sheets of A4 paper taped together. He underlined the names of all those on Hedeby Island for the family meeting in 1966 and thus, at least theoretically, who could have had something to do with Harriet Vanger’s disappearance.
He left out children under the age of twelve—he had to draw the line somewhere. After some pondering, he also left out Henrik Vanger. If the patriarch had had anything to do with the disappearance of his brother’s granddaughter, his actions over the past thirty-six years would fall into the psychopathic arena. Vanger’s mother, who in 1966 was already eighty-one, could reasonably also be eliminated. Remaining were twenty-three family members who, according to Vanger, had to be included in the group of “suspects.” Seven of these were now dead, and several had now reached a respectable old age.
Blomkvist was not willing to share Vanger’s conviction that a family member was behind Harriet’s disappearance. A number of others had to be added to the list of suspects.
Dirch Frode began working for Vanger as his lawyer in the spring of 1962. And aside from the family, who were the servants when Harriet vanished? Gunnar Nilsson—alibi or not—was nineteen years old, and his father, Magnus, was in all likelihood present on Hedeby Island, as were the artist Norman and the pastor Falk.