Glasshouse - Charles Stross [60]
I wake up sweating and sick with my heart pounding in the night, and there is no Sam. For a moment I feel defiant and angry at his absence, but then I think: What have I done to my only friend here? And I roll over and wash the pillow in bitter tears before dawn.
But the next day I start my new job.
8
Child Thing
THE taxi that takes me to the Chamber of Commerce arrives about half an hour after Sam leaves for work. I’m ready and waiting for it but nervous about the whole idea. It seems necessary in some ways—to assert my independence from Sam, get an extra source of income, meet other inmates, break out of the lonely rut of being a stay-at-home wife—but in other respects it’s a questionable choice. I have no idea what they’re going to find for me to do, it’s going to take up a large chunk of my time, it’ll probably be boring and pointless, and although I’ll meet new people, there’s no way of knowing whether I’ll hate them on sight. What seemed like a good idea at the time is now turning out to be stressful.
The taxi operator is no use, of course—he can’t tell me anything. “Chamber of Commerce,” he announces. “Please leave the vehicle.” So I get out and head toward the imposing building on my right, with the revolving door made of wood and brass, hoping my uncertainty doesn’t show. I march up to the clerk on the front desk. “I’m Reeve. I’ve got an appointment at, uh, ten o’clock with Mr. Harshaw?”
“Go right in, ma’am,” says the zombie, pointing at a door behind him with a frosted-glass window and gold-leaf lettering stenciled along the top. My heels clack on the stone floor as I walk over and open it.
“Mr. Harshaw?” I ask.
The room is dominated by a wide desk made out of wood, its top inlaid with a rectangle of dyed, preserved skin cut from a large herbivore. The walls are paneled in wood and there are crude still pictures in frames hanging from hooks near the top, certificates and group portraits of men in dark suits shaking hands with each other. A borderline-senescent male in a dark suit, his head almost bereft of hair and his waistline expanding, sits behind the desk. He half rises as I enter, and extends a hand. Zombie? I wonder doubtfully.
“Hello, Reeve.” He sounds relaxed and self-confident. “Won’t you have a seat?”
“Sure.” I take the chair on the other side of the desk and cross my legs, studying his face. Sure enough there’s a slight flicker of attention—he’s watching me, aware of my body—which means he’s real. Zombies simply aren’t programmed for that. “How come I haven’t seen you in Church?” I ask.
“I’m on staff,” he says easily. “Have a cigarette?” He gestures at one of the wooden boxes on his desk.
“Sorry, I don’t smoke,” I say, slightly stiffly. I hate the smell, but it’s not as if it’s harmful, is it?
“Good for you.” He takes one, lights it, and inhales thoughtfully. “You asked about job vacancies yesterday. As it happens, we have one right now that would probably suit you—I took the liberty of looking through your records—but it specifically excludes smokers.”
“Oh?” I raise an eyebrow. Mr. Harshaw the staffer isn