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Going Dutch_ How England Plundered Holland's Glory - Lisa Jardine [164]

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at Cleves’, in J. Dixon Hunt (ed.), The Dutch Garden in the Seventeenth Century (Washington DC: Dumbarton Oaks, 1988), pp.49–80

Dogaer, G., ‘De inventaris der schilderijen van Diego Duarte’, Jaarboek van het Koninklijk Museum voor schone Kunsten Antwerpen (1971), 195–221

Edwardes, E.L., The Story of the Pendulum Clock (London: Sherratt Publishing, 1977)

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Geyl, P., ‘Frederick Henry of Orange and King Charles I’, English Historical Review 38 (1923), 355–83

Geyl, P., Orange and Stuart 1641–1672 (London: Phoenix Press, 2001; first English edition 1969)

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Goldgar, A., ‘Poelenburch’s garden: Art, flowers, networks, and knowledge in seventeenth-century Holland’, in A. Golahny, M.M. Mochizuki and L. Vergara, In His Milieu: Essays on Netherlandish Art in Memory of John Michael Montias (Amsterdam: Amsterdam University Press, 2006), pp.183–92

Goldgar, A., ‘Nature as art: The case of the tulip’, in P.H. Smith and P. Findlen (eds), Merchants and Marvels: Commerce, Science and Art in Early Modern Europe (London: Routledge, 2002), pp.324–46

Goldgar, A., Tulipmania: Money, Honor, and Knowledge in the Dutch Golden Age (Chicago and London: Chicago University Press, 2007)

Grew, M.E., William Bentinck and William III (Prince of Orange): The Life of Bentinck Earl of Portland from the Welbeck Correspondence (London: John Murray, 1924)

Grijp, L.P., ‘“Te voila donc, bel oeil”: An autograph tablature by Constantijn Huygens’, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 37 (1987), 170–4

Groenveld, S., ‘“J’equippe une flotte très considerable”: The Dutch side of the Glorious Revolution’, in R.Beddard (ed.), The Revolutions of 1688 (Oxford: Clarendon Press, 1991), pp.213–45

Groenveld, S., ‘Frederick Henry and his entourage: A brief political biography’, in P. van der Ploeg and C. Vermeeren (eds), Princely Patrons: The Collection of Frederick Henry of Orange and Amalia of Solms in The Hague (Zwolle: Waanders Publishers, 1997), pp.18–33

Groenveld, S., ‘The house of Orange and the house of Stuart, 1639–1650: A revision’, Historical Journal 34 (1991), 955–72

Groot, C.H. de, Die Urkunden uber Rembrandt (The Hague: M. Nijhoff, 1906)

Hall, A.R. and M.B. (eds and trans.), The Correspondence of Henry Oldenburg, 13 volumes: vols 1–9 (Madison: University of Wisconsin Press, 1965–73); vols 10–11 (London: Mansell, 1975–76); vols 12–13 (London: Taylor & Francis, 1986)

Hart, Marjolein ‘T., ‘Cities and statemaking in the Dutch Republic, 1580–1680’, Theory and Society 18 (1989), 663–87

Hartog, E. den, and C. Teune, ‘Gaspar Fagel (1633–88): His garden and plant collection at Leeuwenhorst’, Garden History 30 (2002), 191–205

Held, J.S., ‘Constantijn Huygens and Susanna van Baerle: A hitherto unknown portrait’, Art Bulletin 73 (1991), 653–68

Hill, R., ‘Ambassadors and art collecting in early Stuart Britain: The parallel careers of William Trumbull and Sir Dudley Carleton, 1609–1625’, Journal of the History of Collections 15 (2003), 211–28

Hill, R., ‘Sir Dudley Carleton and his relations with Dutch artists 1616

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