Going Dutch_ How England Plundered Holland's Glory - Lisa Jardine [39]
The programme of deliberately extravagant expenditure was carried out with speed and efficiency. In the course of the 1630s, the house and garden of the Orange country estate at Honselaarsdijk were extended and the house lavishly refurnished. A new palace was built at Rijswijk, while the official residence of the Stadholder in the Binnenhof in The Hague was substantially added to and renovated. The castle of Buren was provided with handsome gardens in the 1630s and its interior modernised and refurbished. The Noordeinde palace in The Hague was almost entirely rebuilt during the same period. All these ‘royal’ houses were filled with paintings, tapestries, sculptures, hangings and other objets d’art in unprecedented quantities. Sir Constantijn Huygens saw to it that all of these were items of quality, guaranteed to provoke the admiration and envy of the more established crowned heads of Europe.6
The arrival of King Charles I’s daughter from London, as the child-bride of Frederik Hendrik and Amalia’s only son, was the occasion for a further round of expenditure, particularly since the match significantly enhanced the family’s ‘royal’ standing. From 1642, the court of Princess Mary Stuart and her husband Prince William II of Orange at The Hague rivalled that of William’s parents for its lavishness and conspicuous consumption of all and every available luxury. The adolescent Prince and Princess of Orange, having turned down their traditional quarters at the Binnenhof as insufficiently luxurious, settled into the newly renovated and refurbished Noordeinde palace, which Frederik Hendrik and Amalia decorated and equipped for them in a manner befitting a royal couple.7 Prince William and Princess Mary introduced a lifestyle and level of princely display at The Hague that deliberately emulated and sought to compete with established royal courts like those in London and Paris – developing her mother-in-law’s strategy for enhancing the standing of the house of Orange. The pampered pair rapidly acquired an international reputation for their extravagant lifestyle and the luxury and spectacle of their courtly entertainments.
The third court at The Hague was that of the ‘Winter Queen’, Elizabeth of Bohemia, and her husband, Frederick of Bohemia. The marriage of Charles I’s sister to Frederick, Count Palatine of the Rhine and Elector of the Holy Roman Empire, on 14 February 1613, had been celebrated enthusiastically across Protestant Europe. On the way to her new home in Heidelberg, the new Electress had been fêted in The Hague, with a series of banquets, ceremonial progresses and theatrical performances. To the Dutch the match symbolised the realisation of their hopes for a securely Protestant European royal dynasty. Elizabeth herself – elegant, expensively dressed and altogether glamorous – was their ‘Queen of hearts’, and retained their affection throughout her turbulent life.
Once they reached Heidelberg, the new Electress Palatine, whose large entourage of servants and retainers had accompanied her from England, insisted on living in Stuart style, filling the palace with her luxury possessions, including her small dogs and tame