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Going Dutch_ How England Plundered Holland's Glory - Lisa Jardine [6]

By Root 1073 0
’ – undercover agents – only days later). On 8 October William had let it be known in Holland that his invasion – if it took place – was to be both an intervention on behalf of the Dutch state, to prevent James II from forming an anti-Dutch Catholic alliance with France, and a bid to secure his own and his wife’s dynastic interests. The States General were finally asked for, and gave, their approval, on the understanding that ‘His said Highness has decided to start the said matter upon His Highnesse’s and Her Royal Highnesse’s own names, and to make use of the States’ power only as auxiliary.’9

What the Dutch States General could and did provide was additional financing for the campaign (which they would later require to be repaid from the English exchequer of King William III). In spite of the Prince’s personal wealth, there was still a significant shortfall in the ready money needed for so large a naval and military undertaking. The States General placed at William’s disposal 4 million guilders, out of taxation income earmarked for defence of their land borders. A further 2 million guilders was raised in loans from sympathetic financiers (chief among them the Sephardic Jewish banker Francisco Lopes Suasso).10

On 1 November, driven onward at speed by a strong easterly wind, a vast Dutch fleet left its sheltered harbour at Hellevoetsluis and sailed out into open waters. At a signal from William of Orange the great gathering of ships organised itself into a prearranged formation, ‘stretching the whole fleet in a line, from Dover to Calais, twenty-five deep’. The Dutch began their mission, ‘colours flying’, the fleet ‘in its greatest splendour’, ‘a vast mass of sail stretching as far as the eye could see, the warships on either flank simultaneously thundering their guns in salute as they passed in full view of Dover Castle on one side and the French garrison at Calais on the other’. As the great flotilla proceeded magnificently on its way, the Dutch regiments stood in full parade formation on the deck, with ‘trumpets and drums playing various tunes to rejoice [their] hearts … for above three hours’.

In his diary for the day, Constantijn Huygens junior, * William of Orange’s Dutch secretary, recorded how, the morning after they set sail: ‘We arrived between Dover and Calais, and at midday, as we passed along the Channel, we could see distinctly the high white cliffs of England, but the coast of France could be seen only faintly.’11 Constantijn junior, and the other children of the distinguished statesman, connoisseur, poet and musician Sir Constantijn Huygens, together with their father, will be important witnesses and guides as the present book unfolds.

Poised between England and Holland (like other members of his family he was an outstanding linguist, whose English and French were as fluent as his native Dutch), Constantijn junior was equally at home in the élite circles of either country. Like his father and his younger brother, the scientist Christiaan Huygens, he moved easily between countries, his international experience proving invaluable to his princely employer.

From the very start, the Dutch fleet achieved its key strategic aim, creating an unforgettable spectacle, inducing a feeling of shock and awe in onlookers on either shore. The iconic image of its offensive sortie into the English Channel was commemorated in countless contemporary paintings and engravings, still to be found today, on display or in store, in galleries on both sides of the Narrow Seas. As the seventeenth-century armada made its way along the Channel, crowds gathered on the clifftops of the south of England to watch it pass. It was reported that the procession of ships had taken six hours to clear the ‘straits’.

The departure from Holland and arrival in England of this great fleet had been contrived with exceptional care, down to the very last detail. As the foremost historian of this period of Anglo–Dutch relations puts it, ‘The boldest enterprise ever undertaken by the Republic of the United Netherlands was stage-managed with exquisite

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