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By Root 488 0

The MP5SD has no fore grip. Not like the stubby K variant, which has a fat little handle under the muzzle. With the SD you use your right hand on the pistol grip and your left hand supports the barrel casing. The inner barrel has thirty holes drilled in it. The powder in the round neither burns nor explodes. It does both. It deflagrates. It creates a bubble of superheated gas. Some of the gas escapes through the thirty holes, which quiets the noise and slows the bullet to a subsonic velocity. No point in silencing a gun if its bullet is going to create a supersonic snap all its own. A slow bullet is a quiet bullet. Just like the VAL Silent Sniper. The escaping gas comes through the thirty holes and expands and swirls around in the inner silencer chamber. Then it passes to the second chamber and expands some more and swirls some more. Expanding cools the gas. Basic physics. But not by much. Maybe it reduces from superheated to extremely hot. And the outer barrel casing is metal. Hence the glove. No one uses an MP5SD without one. Springfield was the kind of guy who thinks of everything.

On the left side of the gun was a combined safety and fire selector switch. The older versions of the SD that I remembered had a three-position lever. S, E, and F. S for safe, E for single shots, and F for automatic fire. German abbreviations, presumably. E for ein, or one, and so on and so forth, even though Heckler & Koch had been owned by a British corporation for many years. I guessed they decided that tradition counts. But Springfield had given me a newer model. The SD4. It had a four-position selector switch. No abbreviations. Just pictograms. For foreign convenience, or illiterate users. A plain white dot for safe, one little white bullet shape for single shots, three bullet shapes for three-round bursts, and a long string of bullet shapes for continuous automatic fire.

I chose three-round bursts. My favorite. One pull of the trigger, three nine-millimeter rounds inside a quarter of a second. An inevitable degree of muzzle climb, minimized by careful control and the weight of the silencer, resulting in a neat little stitch of three fatal wounds climbing a vertical line maybe an inch and a half high.

Works for me.

Thirty rounds. Ten bursts. Eight targets. One burst each, plus two left over for emergencies.

The elevator chimed open on the eleventh floor, and I heard Lila Hoth’s voice in my head, talking about old campaigns long ago in the Korengal: You must save the last bullet for yourself, because you do not want to be taken alive, especially by the women.

I stepped out of the elevator into a silent corridor.

Standard tactical doctrine for any assault: Attack from the high ground. The eighth floor was three below me. Two ways down: stairs or elevator. I preferred the stairs, especially with a silenced weapon. The smart defensive tactic would be to put a man in the stairwell. Early warning for them. Easy pickings for me. He could be dealt with quietly and at leisure.

The stairwell had a battered door set next to the elevator core. I eased it open and started down. The stairs were dusty concrete. Each floor was marked with a large number painted by hand in green paint. I was quiet all the way down to nine. Supersilent after that. I paused and peered over the metal rail.

No sentry in the stairwell.

The landing inside the eighth floor door was empty. Which was a disappointment. It made the job on the other side of the door twenty-five percent harder. Five men in the corridor, not four. And the way the rooms were distributed meant that some of them would be on my left, and some on my right. Three and two, or two and three. A long second spent facing the wrong way, and then a crucial spin.

Not easy.

But it was four in the morning. The lowest ebb. A universal truth. The Soviets had studied it, with doctors.

I paused on the stairwell side of the door and took a deep breath. Then another. I put my gloved hand on the handle. I took the slack out of the MP5’s trigger.

I pulled the door.

I held it at forty-five degrees with my foot.