Gone Tomorrow - Lee Child [8]
That was what had happened in this case. The woman’s face was reduced to rags and tatters of bloody flesh hanging off shattered bone. The bullet had traveled vertically through her mouth and had dumped its massive kinetic energy in her brain pan, and the sudden huge pressure had sought relief and found it where the plates of her skull had sealed themselves way back in childhood. They had burst open again and the pressure had pasted three or four large fragments of bone all over the wall above and behind her. One way or the other her head was basically gone. But the graffiti-resistant fiberglass was doing its job. White bone and dark blood and gray tissue was running down the slick surface, not sticking, leaving thin snail trails behind. The woman’s body had collapsed into a slumped position on the bench. Her right index finger was still hooked through the trigger guard. The gun had bounced off her thigh and was resting on the seat next to her.
The sound of the shot was still ringing in my ears. Behind me I could hear muted sounds. I could smell the woman’s blood. I ducked forward and checked her bag. Empty. I unzipped her jacket and opened it up. Nothing there. Just a white cotton blouse and the stink of voided bowel and bladder.
I found the emergency panel and called through to the conductor myself. I said, “Suicide by gunshot. Last-but-one car. It’s all over now. We’re secure. No further threat.” I didn’t want to wait until the NYPD assembled SWAT teams and body armor and rifles and came in all stealthy. That could take a long time.
I didn’t get a reply from the conductor. But a minute later his voice came through the train PA. He said, “Passengers are advised that the doors will remain closed for a few minutes due to an evolving incident.” He spoke slowly. He was probably reading from a card. His voice was shaky. Not at all like the smooth tones of the Bloomberg anchors.
I took a last look around the car and sat down three feet from the headless corpse and waited.
Whole episodes of TV cop shows could have run before the real-life cops even arrived. DNA could have been extracted and analyzed, matches could have been made, perpetrators could have been hunted and caught and tried and sentenced. But eventually six officers came down the stairs. They were in caps and vests and they had drawn their weapons. NYPD patrolmen on the night shift, probably out of the 14th Precinct on West 35th Street, the famous Midtown South. They ran along the platform and started checking the train from the front. I got up again and watched through the windows above the couplers, down the whole length of the train, like peering into a long lit-up stainless-steel tunnel. The view got murky farther down, due to dirt and green impurities in the layers of glass. But I could see the cops opening doors car by car, checking, clearing, turning the passengers out and hustling them upstairs to the street. It was a lightly loaded night train and it didn’t take long for them to reach us. They checked through the windows and saw the body and the gun and tensed up. The doors hissed open and they swarmed onboard, two through each set of doors. We all raised our hands, like a reflex.
One cop blocked each of the doorways and the other three moved straight toward the dead woman. They stopped and stood off about six feet. Didn’t check for a pulse or any other sign of life. Didn’t hold a mirror under her nose, to check for breathing. Partly because it was obvious she wasn’t breathing, and partly because she didn’t have a nose. The cartilage had torn away, leaving jagged splinters