Good Graces - Lesley Kagen [51]
Strolling up Vliet Street on our way home after the game, we pass by the factory men who gave it their all out on the diamond. They’re on the front steps of their houses drinking cold beer in their undershirts, hoping to catch a breeze. They tip their hats to Dave and say, “Good game,” and he says back, “Thought you had us there in the fourth. Better luck next time.”
Dr. Heitz, who doesn’t play ball because he is a dentist, smiles at me when we pass him changing a tire on his car. He likes kids so much. He goes to the Saturday matinees at the Uptown and will give you a free box of Milk Duds if you sit on his lap to watch the movie. I think it’s his way of apologizing for having to drill you.
Dave and I are walking slightly ahead of Troo, who is kicking a rock that is coming dangerously close to my father’s ankle. Mother and Nell and Peggy Sure are behind her on the sidewalk. The reason Nell is with us and not with Eddie the way a wife is supposed to be is because after the game he was nowhere to be found, which means he probably headed up to the Milky Way. (Dave tried to have a man-to-man with Eddie about being a better husband and father, but that talk didn’t make a dent in that moron’s thick skull.)
I decided the walk home would be the perfect time to get more information out of my father. I have had hardly any time with him. He’s been so busy trying to catch the cat burglar. “Can I ask you a coupla questions?” I say.
“Shoot,” he says, which is cop talk for, go right ahead.
“How did Molinari get out of the reform school anyway? Did the guard doze off?” That’s what happens most of the time in movies when a criminal breaks out of jail. That, or a ripe-looking Italian girl shows up with a bottle of wine in a low-cut blouse with a black cinch belt.
Dave looks down at me with so much kindness. “We’ll apprehend Alfred eventually, Sally. Don’t worry. He can run, but he can’t hide.”
“Well, actually, he can’t run,” Troo butts in from behind. She pretends to ignore everything that Dave says and does, but she watches him, waits for him to make one wrong move. “If you were such a good detective, you’d know that.” She swings her leg back and kicks the rock hard. It bounces off the heel of Dave’s shoe. “By the way, did you catch the cat burglar yet?”
Dave heard Troo’s sassy remark just fine, but he doesn’t blow his stack the way Mother would’ve if she’d heard Troo smarting off like that. Dave keeps his steady green eyes on mine and tells me, “Rest easy. Law officers from Milwaukee and all points south are aware of the situation.”
“But just knowin’ that Molinari’s escaped isn’t enough,” I say. “Did they issue an All Points Bulletin? Do they have tommy guns? Are they—”
Mother, who’s closer than I thought, tugs down hard on my braid. “Simmer down, Sally!” She bustles to Dave’s side and says in an even more fed-up way, “Maybe next time you’ll listen to me. Filling up her mind with talk of your cases and . . . and all those criminal television shows the two of you watch . . . see what you’ve done?”
Dave gives Mother an I’m sorry look and I do, too. Not only do I not want to cause any more problems between them, I can’t have her yell at me for the rest of the night and then not talk to me for three days. That’s the worst punishment there is, to feel invisible like that, so I swallow back the questions I have about Charlie Fitch, too. The next time Dave and me work in the garden together, that’s when I’ll ask him. It’s important to find Charlie even if he’s dead, not only for Mr. and Mrs. Honeywell’s sake, but for Artie Latour’s. When we walked past his house, he was standing out on his porch yo-yoing, but you could tell his heart wasn’t in it.
When we make the turn onto Lloyd Street, three houses down, we come to the Molinaris’.
Their place is not rising out of a swamp with moss hanging all over it the way you’d expect. The house has got fresh white siding with a mowed lawn and two robins are splashing around in the birdbath that’s set in a yellow petunia