Good Morning, Killer - April Smith [117]
“I can’t go to Rapid Start from here!” she interrupted, trying to stay calm. “I’m home, remember? You called me at home!”
“—He’s got this girl, and he’s at the killing house. He has to finish the ritual—” The cell was cutting out. “How fast can you get to the office?”
Her reply was garbled.
“What?” I said. “What did you say?”
“—West. Keep going west.”
Twenty agonizing minutes later Kelsey called from the office, just as I was curving onto the 405.
“Look,” she said, “I need to say that I take responsibility for what’s been going on—”
“What are you talking about?”
“Well, the tension between us—I’m wondering if you’ve been feeling it too—I’ve been sad about it, and I just wanted to say—”
“Screw that! We are so past that!”
“Are we, really? Because I need you to know I was never going to testify, no way. You see, I do understand about loyalty, and if they called me, I was going to be a hostile witness and they—”
“Yes, yes, we are totally cool. I’m sorry, too!” I bellowed over the screaming wind. “I really, really am. Just give me what you’ve got!”
His mother’s maiden name was Connors. Lilly Connors. The title to the house was in her name. It had taken Rapid Start about a half a second to retrieve it.
Step by step, I walked Kelsey through the procedure, while simultaneously accelerating the Barracuda over an overpass like a toy race car that defies gravity on the loop-the-loop. By the time I was peeling off at National, she had run an emergency property search and come up with the address in Mar Vista. His mother’s house. Where Ray Brennan had grown up.
The moment I pulled up, I wanted to bang my head against the dashboard.
It was a house I had seen before, when Jason and I were on surveillance. I just didn’t know what I was looking at.
It is like that, often.
It was the house on the corner, across from the Montessori school, a small stucco bungalow sun-scorched to indiscriminate gray, with a porch supported by thin white posts—a suggestion of a porch really—and rotted concrete steps. A rusted TV aerial was perched on top of a sloping roof. The lawn was dead, the place had looked abandoned, but there was a bright green AstroTurf doormat. I remember thinking when Jason and I were there the first time that something was not right.
I have noticed when the hairs go up on the back of your neck, and you think something is not right, something is not right.
There were two windows on the porch side, two on the left where a front bedroom might be. The windows were not boarded up, as I had hastily assumed, but blackened in, with paint.
I had been looking at Ray Brennan’s darkroom.
His roving abduction-mobile was parked out front.
“I see the van. I’m at the address,” lifting the latch on a chain-link gate. “I’m going in.”
“Wait!” cried Kelsey over the phone in my ear. “Culver City police are responding!”
“He’s got a girl in there, now.”
“Are you armed?”
“They took my gun, remember?”
I was heading up the weedy path.
“If he’s into it and you interrupt him, he’ll go into a rage and he’ll—”
“Where are the cops? The cops aren’t here! He’s doing her, you think I’m going to stand outside and wait? I’m going to distract him,” and cut it off.
I pulled back the creaking screen door and knocked on the peeling wood until my knuckles hurt, then picked up a piece of cinder block and banged. Finally there were footsteps.
“Who’s there?”
I said: “Do you believe the Bible is only a book?”
“What the hell?”
The door opened.
It was Brennan. He was wearing clear oval glasses, a studious look that went with the dimples you could not see in the photographs. His light brown hair was military-short, and he wore a tank top and baggy camouflage shorts and the polished boots. Hunting. Behind the glasses, his lucent eyes went to the curb, where a unit from Culver City police had just pulled up, siren whupping quietly.
“What’s going on?”
I did not turn. I tried to maintain eye contact and just stay still until he could