Good Morning, Killer - April Smith [82]
“Very creative,” I said tiredly. “You should be a writer,” totally forgetting that Devon County was also a celebrity author with two thrillers on the best-seller list.
I climbed out of the pool, dizzy with all that flip turning. It was just a few steps from the scorching patio to the cool kitchen, with its light cabinets and vinyl daisy tile and microwave as big as a boxcar. The refrigerator had cold water in the door. Inside the walk-through pantry there were marshmallows and chocolate bits you could chug out of the bag, and a shelf of neon-colored breakfast cereals.
The boys drank Gatorade and powdered fruit punch; there were flats of sodas and wholesale sacks of chips in the garage. All this was new to me, and I was as curious about the stand-alone freezer stocked with chicken nuggets, hot dogs, twelve-pack Klondike bars, whole chickens and racks of ribs as I would have been visiting a family in Japan. I never realized you could buy such huge tubs of peanut butter or cans of soup big enough for the entire fourth grade.
Mike Donnato had taken care of his mother until she died, in this house, of stomach cancer. There were far-flung siblings, but Mike was the only one with the courage to stick it out. She had lived in one of those extra back rooms with a fireplace and TV that nobody really uses, except to dump unfolded laundry and discarded pets. There was a mossy reek from the terrarium that held the baby chameleons; the carpeting, a cheap oatmealy remnant, felt cold underfoot, some dankness having to do with the plumbing.
“Who farted?” was the standard greeting from the Donnato boys.
It was a room without hope to begin with—thinly walled, sliding glass doors opening to a useless jag of the yard, an odd space looking at the back fence. This was where I slept, on a mattress on the floor, surrounded by Mike’s parents’ effects, which were touchingly arranged as they had been in the hobby room of their big home in Glendale: Dad’s preoccupations in one half, Mom’s on the other. So you had a Bernina sewing machine, an ironing board and bins of fabric and envelopes of clothing patterns on one side; then a bench with a magnifying glass and all manner of fly-fishing materials and magazines. There were other oddities—a rocking horse, a white cabinet I had not opened, valuable-looking antique wicker chairs, jug lamps, vinyl records (A Swingin’ Christmas), framed art posters from the seventies, and the kinds of novels people don’t read anymore: Lord Jim, Catch-22, Shogun, Cancer Ward, The Black Marble, War and Remembrance. If I didn’t feel bad enough, I could wallow in the ash-cold remnants of two extinguished lives.
“Free on bail” was not the way I would have put it. I was free to wander through the living room, lie on the beat-up burgundy-colored sectional (if I wanted to vacuum the cat hair), or sit in Mike’s reclining chair and look at cable on a big blurry-screened TV. I could pace the hallway, passing the bedrooms in about four seconds—no daylight, nothing on the walls, except the kids’ doors plastered with Police Line Do Not Cross tape and puzzles that spelled their names, Kevin, Justin, Ian.
I was free to sit on the small deck with the standard grill and white plastic umbrella table, and look up at a patch of milky sky, and know this was a preview, an aperitif, of prison life. I missed my lifeguard friend. I missed the shower talk and the redtail hawks that sailed above the pool in perfect freedom.
Andrew? I didn’t know who he was anymore.
The highlight of the day would be the call from the law firm, usually with more bad news.
I learned, one standard-issue hot ’n’ hazy valley morning, that the deputy district attorney prosecuting my case would be Mark Rauch, and realized, way too late, the devastating mistake I had made in not involving Mark Rauch in the Santa Monica kidnapping, not paying respects, not providing a political opening for which he might show gratitude,