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Good Morning, Killer - April Smith [99]

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before, of her following Officer Oberbeck and me. She pulled up beside me, made eye contact, and gave me a hand motion that meant, Follow me. She then pulled in front of me and I proceeded to follow her to her apartment in the Marina. She pulled into the garage, and I pulled into the visitor’s spot outside her place, and we walked in together. She went into the kitchen to get something to eat. She wore running tights and running shoes and a spandex top and a jacket on top of that and she had her hair pulled up. She said, “Hi.” I said, “Hi. What’s going on?” And we had a general conversation. She offered me a drink, I said no. She said, “What’s going on, where have you been? I’ve been paging you.” She wasn’t being aggressive at that point. I said I’ve got things on my mind. She said, “Like what?” I said I wasn’t comfortable with the relationship anymore. She put her arms around me and told me she wanted to move in together. I told her that wasn’t in the cards.

RAUCH: Then what?

BERRINGER: She started blaming me for everything that was wrong in her life. She got on this theme of everyone screwing her over, including everyone at work. She said I was screwing her over and she was tired of it. I saw things going south real quick and I didn’t want a confrontation. Her arms were still around me. I said, “What do you want me to do?” She said we could start over. I told her no.

She became infuriated. She was breathing hard. She was tense all over and you could see her going off the scale, the most upset I’ve ever seen her. Then she came back to me for the last time. “What are you trying to tell me?” she said.

I didn’t have anything else to say, so I started walking toward the exit, and she turned away in the other direction, to the coffee table. I never made it to the door. I was looking back to see what she was doing. I wanted to make sure nothing was going to be thrown at me. She bent down and stood up and suddenly there were two bright flashes, and it was as if someone shot me with a drug. I don’t remember hearing the gun.

RAUCH: But you knew you were shot. What were you thinking?

BERRINGER: I was thinking, I know I can win this.

RAUCH: Can you explain why you thought that?

BERRINGER: It might sound corny, but Teddy Roosevelt said, “Those who are willing to enter the arena are always preparing themselves for the battle.” I’m a police detective and I take my job seriously and I like to think I’m always prepared. First of all, you know your body’s going to help you out. Fear is your body responding in a high state of arousal. Fear is okay. What you want to avoid is panic and indecision.

RAUCH: You did not panic?

BERRINGER: I thought, Okay, this is just like in training. Everything was moving slowly. It was like when I was knocked unconscious once when I got hit riding the Harley. Everything was woozy except I had this incredible tunnel vision. All I saw was Ana taking aim with the gun for round two.

RAUCH: And you were how far away from Agent Grey?

BERRINGER: I was almost to the door. I was in the dining room area. She was back near the coffee table, near the fireplace on the other side of the room.

RAUCH: So you were at least fifteen feet apart.

BERRINGER: Correct.

RAUCH: Go on.

BERRINGER: I felt a burning along the lower right side and noticed my shirt was just beet red, full of blood, and I ran toward her.

RAUCH: Why did you run toward her and not out the door?

BERRINGER: That’s my training. In my training guns are made for distance. You run from a knife but not a gun. I could have gotten hit in the back. I tried to get the gun from her. I kept saying, “Don’t shoot me. Why are you trying to kill me?” I got my hand on a piece of the gun, but she was pulling away. She fell over the table between the table and the couch. I’m still maintaining a piece of the gun, the barrel. I stumbled over the table myself and ended up wedged between the table and the couch. She was lying down and I was kneeling with one leg on the couch. The gun went off again, to my right thigh, above the

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