Green Mansions [15]
out from the ground and nothing grew except the yellow-flowered thorn bushes. Passing this sterile ribbon, which seemed to extend to a considerable distance north and south, and was fifty to a hundred yards wide, the forest again became dense and the trees large, with much undergrowth in places obstructing the view and making progress difficult.
I spent several hours in this wild paradise, which was so much more delightful than the extensive gloomier forests I had so often penetrated in Guayana; for here, if the trees did not attain to such majestic proportions, the variety of vegetable forms was even greater; as far as I went it was nowhere dark under the trees, and the number of lovely parasites everywhere illustrated the kindly influence of light and air. Even where the trees were largest the sunshine penetrated, subdued by the foliage to exquisite greenish-golden tints, filling the wide lower spaces with tender half-lights, and faint blue-and-gray shadows. Lying on my back and gazing up, I felt reluctant to rise and renew my ramble. For what a roof was that above my head! Roof I call it, just as the poets in their poverty sometimes describe the infinite ethereal sky by that word; but it was no more roof-like and hindering to the soaring spirit than the higher clouds that float in changing forms and tints, and like the foliage chasten the intolerable noonday beams. How far above me seemed that leafy cloudland into which I gazed! Nature, we know, first taught the architect to produce by long colonnades the illusion of distance; but the light-excluding roof prevents him from getting the same effect above. Here Nature is unapproachable with her green, airy canopy, a sun-impregnated cloud--cloud above cloud; and though the highest may be unreached by the eye, the beams yet filter through, illuming the wide spaces beneath--chamber succeeded by chamber, each with its own special lights and shadows. Far above me, but not nearly so far as it seemed, the tender gloom of one such chamber or space is traversed now by a golden shaft of light falling through some break in the upper foliage, giving a strange glory to everything it touches--projecting leaves, and beard-like tuft of moss, and snaky bush-rope. And in the most open part of that most open space, suspended on nothing to the eye, the shaft reveals a tangle of shining silver threads--the web of some large tree-spider. These seemingly distant yet distinctly visible threads serve to remind me that the human artist is only able to get his horizontal distance by a monotonous reduplication of pillar and arch, placed at regular intervals, and that the least departure from this order would destroy the effect. But Nature produces her effects at random, and seems only to increase the beautiful illusion by that infinite variety of decoration in which she revels, binding tree to tree in a tangle of anaconda-like lianas, and dwindling down from these huge cables to airy webs and hair-like fibres that vibrate to the wind of the passing insect's wing.
Thus in idleness, with such thoughts for company, I spent my time, glad that no human being, savage or civilized, was with me. It was better to be alone to listen to the monkeys that chattered without offending; to watch them occupied with the unserious business of their lives. With that luxuriant tropical nature, its green clouds and illusive aerial spaces, full of mystery, they harmonized well in language, appearance, and motions--mountebank angels, living their fantastic lives far above earth in a half-way heaven of their own.
I saw more monkeys on that morning than I usually saw in the course of a week's rambling. And other animals were seen; I particularly remember two accouries I startled, that after rushing away a few yards stopped and stood peering back at me as if not knowing whether to regard me as friend or enemy. Birds, too, were strangely abundant; and altogether this struck me as being the richest hunting-ground I had seen, and it astonished me to think that the Indians of the village did not appear to
I spent several hours in this wild paradise, which was so much more delightful than the extensive gloomier forests I had so often penetrated in Guayana; for here, if the trees did not attain to such majestic proportions, the variety of vegetable forms was even greater; as far as I went it was nowhere dark under the trees, and the number of lovely parasites everywhere illustrated the kindly influence of light and air. Even where the trees were largest the sunshine penetrated, subdued by the foliage to exquisite greenish-golden tints, filling the wide lower spaces with tender half-lights, and faint blue-and-gray shadows. Lying on my back and gazing up, I felt reluctant to rise and renew my ramble. For what a roof was that above my head! Roof I call it, just as the poets in their poverty sometimes describe the infinite ethereal sky by that word; but it was no more roof-like and hindering to the soaring spirit than the higher clouds that float in changing forms and tints, and like the foliage chasten the intolerable noonday beams. How far above me seemed that leafy cloudland into which I gazed! Nature, we know, first taught the architect to produce by long colonnades the illusion of distance; but the light-excluding roof prevents him from getting the same effect above. Here Nature is unapproachable with her green, airy canopy, a sun-impregnated cloud--cloud above cloud; and though the highest may be unreached by the eye, the beams yet filter through, illuming the wide spaces beneath--chamber succeeded by chamber, each with its own special lights and shadows. Far above me, but not nearly so far as it seemed, the tender gloom of one such chamber or space is traversed now by a golden shaft of light falling through some break in the upper foliage, giving a strange glory to everything it touches--projecting leaves, and beard-like tuft of moss, and snaky bush-rope. And in the most open part of that most open space, suspended on nothing to the eye, the shaft reveals a tangle of shining silver threads--the web of some large tree-spider. These seemingly distant yet distinctly visible threads serve to remind me that the human artist is only able to get his horizontal distance by a monotonous reduplication of pillar and arch, placed at regular intervals, and that the least departure from this order would destroy the effect. But Nature produces her effects at random, and seems only to increase the beautiful illusion by that infinite variety of decoration in which she revels, binding tree to tree in a tangle of anaconda-like lianas, and dwindling down from these huge cables to airy webs and hair-like fibres that vibrate to the wind of the passing insect's wing.
Thus in idleness, with such thoughts for company, I spent my time, glad that no human being, savage or civilized, was with me. It was better to be alone to listen to the monkeys that chattered without offending; to watch them occupied with the unserious business of their lives. With that luxuriant tropical nature, its green clouds and illusive aerial spaces, full of mystery, they harmonized well in language, appearance, and motions--mountebank angels, living their fantastic lives far above earth in a half-way heaven of their own.
I saw more monkeys on that morning than I usually saw in the course of a week's rambling. And other animals were seen; I particularly remember two accouries I startled, that after rushing away a few yards stopped and stood peering back at me as if not knowing whether to regard me as friend or enemy. Birds, too, were strangely abundant; and altogether this struck me as being the richest hunting-ground I had seen, and it astonished me to think that the Indians of the village did not appear to