Green Mars - Kim Stanley Robinson [161]
So they drove toward the structures, and stopped beside a massive chunk of the cliff wall, which had rolled well out on the floor. From this distance they could see that the buildings were freestanding, with no tent around them; they appeared to be solid blocks of whitish rock, like the caliche blanco in the badlands north of Olympus. Small white figures stood motionlessly between these buildings, on white plazas ringed by white trees. It was all made of stone.
“A statue,” Spencer said. “A town of stone!”
“Mud,” Sax croaked, then pounded the dashboard angrily, giving it four sharp slams that startled them all. “Muh!— du!— sa!”
Spencer and Art and Coyote laughed. They clapped Sax on the shoulders as if they were trying to pile-drive him into the floor. Then they all suited up again, and went out to have a closer look.
The white walls of the buildings glowed eerily in the starlight, like giant soap carvings. There were some twenty buildings, and many trees, and a couple of hundred people— and also a few score lions, mixed freely among the people. All carved from white stone, which Spencer identified as alabaster. The central plaza seemed to have been petrified during an active morning; there was a crowded farmers’ market, and a group clustered around two men playing chess, with waist-high pieces on a large board. The black chess pieces and the black squares of the chessboard stood out dramatically in their surroundings— onyx, in an alabaster world.
Another group of statues watched a juggler, who looked up at invisible balls. Several of the lions were watching this exhibition closely, as if ready to bat something out of the air if the juggler came too close. All the faces of the statues, human or feline, were rounded and almost featureless, but every one of them somehow expressed an attitude.
“Look at the circular arrangement of the buildings,” Spencer said over the intercom. “It’s Bogdanovist architecture, or something like.”
“No Bogdanovist ever mentioned this to me,” Coyote said. “I don’t think any of them have ever been in this region. I don’t know anyone who has. This is pretty remote.” He looked around, a grin showing through his faceplate. “Someone spent a bit of time at this!”
“It’s strange what people will do,” Spencer said.
Nirgal wandered around the edges of the construct, ignoring the talk on the intercom, looking into one blurred face after another, looking into white stone doorways and white stone windows, his blood stirring. It was as if the sculptor had made the place in order to speak to him, to strike him with his own vision. The white world of his childhood, thrusting right out into the green— or, out here, into the red. . . .
And there was something in the peace of the place. Not just the stillness, but the marvelous relaxation in all the figures, the flowing calm of their stances. Mars could be this way. No more hiding, no more strife, the children racing around the market, the lions walking among them like cats. . . .
After an extended tour of the alabaster town, they returned to the car and drove on. About fifteen minutes later Nirgal spotted another statue, a white bas-relief face only, emerging from the cliff face opposite the town. “The Medusa herself,” Spencer said, pausing in his nightly drink. The basilisk glare of the Gorgon was directed back at the town, and the stone snakes of her hair twisted away from her head and back into the cliffside, as if the rock had only just seized her by a serpentine ponytail, preventing her from emerging completely from the planet.
“Beautiful,” Coyote said. “Remember that face— if that’s not a self-portrait of the sculptor, I’m much mistaken.” He drove on without stopping, and Nirgal stared at the stone face curiously. It seemed to be Asian, although perhaps that was only the effect of having the snake hair pulled back. He tried to memorize the features, feeling it was someone he already knew.
• • •
They came out of the Medusa’s canyon before dawn, and stopped