Gryphon_ New and Selected Stories - Charles Baxter [14]
She remembered her stop, however, and was halfway up the sidewalk when she remembered that she had forgotten to get out at the Safeway to buy groceries. She counted all her canned goods, in her mind’s eye. “I’ll be all right,” she said, “and besides, there are more buses going here and there. It’s their fate in life.” She trudged on into the building.
Skinny Mr. Fletcher, employee of the United States Postal Service, had already come and gone with his Santa’s sack of bills and messages. Margaret unlocked her mailbox, hoping for a free sample of a new soap. Instead, there was a solitary postcard inside, showing on its picture side Buster Keaton walking squarely down the middle of a railroad track. On the other side was a message from Horace, written in his miserable script. Some letters had been crossed out, but he had not given up.
Dear Margaret,
Happy birthaniversery
today
from love Horace
ps remember lightbulbs
Where had he mailed the message? Where, more important, had he found the stamp? How had he remembered the address? It was all very mysterious. The postcard was, of course, simply one of his monstrously large postcard collection, which he had taken with him to the First Christian Residence, over two hundred of them. He had traded a few for cigarettes. Margaret looked at Buster Keaton as she went up the stairs, the stairway extending and shortening, like a human-sized accordion.
She opened her door and stepped into the living room. On the left was her pastel blue sofa, next to her radio and television set, and on the right was her mother’s harmonium, underneath a mirror. Behind the sofa were bookshelves, filled with books she and Horace had read to each other: Robert Benchley, Don Marquis, Brooks Atkinson. She could remember their names but not the character of their work. “Feels like I’m walking through gelatin,” she meant to say, but no sound could make its way out of her throat.
She stood stranded inside the door, waiting for something to happen. At last the invisible steel wires holding her feet loosened for a moment, and she managed to get as far as the harmonium. Then the movie came to a halt again. She hadn’t taken her coat off, nor could she. She was forced to look at more details: the spiral pattern on her white rug; the legs of the harmonium; her own white surprised face in the mirror. “I know where I am,” she said. “I’m home.” But she didn’t remember the mirror. Who had brought it here? Had it been delivered by Mr. Fletcher, from his sack?
“I should go to the kitchen,” she said. “Or I should take a nap.” Step by step, feeling the great work her progress required, she walked to the kitchen, weighted down by the thousands of details that were in her way. A nick in the floor, a jolly afternoon sun, a cookie crumb in the shape of an elf sleeping on the dinner table. A brown lamp with a tiny dial switch on its base, and hundreds of slits in its metal shade. And on the harmonium, photographs. Photographs of her three daughters, and one of herself, Margaret, and her husband, Horace, sitting down beneath a chandelier somewhere, and smiling.