Gulag_ A History - Anne Applebaum [73]
But in the folk memory of the camps, 1937 was not only remembered as the year of the Great Terror; it was also the year that propaganda about the glories of criminal re-education finally ground to a halt, along with any remaining lip service to the ideal. In part, this may have been due to the deaths and arrests of those most closely associated with the campaign. Yagoda, still linked in the public mind to the White Sea Canal, was gone. Maxim Gorky had died suddenly in June 1936. I. L. Averbakh, Gorky’s collaborator on Kanal imeni Stalina and author of From Crime to Labour, a subsequent tome dedicated to the Moscow–Volga Canal, was denounced as a Trotskyite and arrested in April 1937. So were many of the other writers who had taken part in Gorky’s White Sea Canal collective.17
But the change had deeper origins as well. As the political rhetoric grew more radical, as the hunt for political criminals intensified, the status of the camps, where these dangerous politicals resided, changed as well. In a country gripped by paranoia and spy-mania, the very existence of camps for “enemies” and “wreckers” became, if not exactly a secret (prisoners working on roads and apartment blocks were to be a common sight in many major cities in the 1940s) then at least a subject never discussed in public. Nikolai Pogodin’s play, Aristokraty, was banned in 1937, to be revived again, though only briefly, in 1956, well after Stalin’s death. 18 Gorky’s Kanal imeni Stalina was also placed on the list of forbidden books, for reasons that remain unclear. Perhaps the new NKVD bosses could no longer stomach the frothy praise for the disgraced Yagoda. Or perhaps its bright depiction of the successful re-education of “enemies” no longer made sense in an era when new enemies were appearing all the time, and when hundreds of thousands of them were being executed, instead of reformed. Certainly its tales of smooth, all-knowing Chekists were hard to reconcile with the massive purges of the NKVD.
Not wanting to seem lax in their task of isolating the regime’s enemies, the Gulag’s commanders in Moscow issued new internal secrecy regulations too, entailing huge new costs. All correspondence now had to be sent by special courier. In 1940 alone, the NKVD’s couriers had to transmit twenty-five million secret packages. Those writing letters to camps now wrote exclusively to post office boxes, as the locations of camps became a secret. The camps themselves disappeared from maps. Even internal NKVD correspondence referred to them euphemistically as “special objects” (spetsobekty) or “subsections” (podrazdeleniya) in order to conceal their real activity.19
For more specific references, both to camps and to the activities of their inhabitants, the NKVD devised an elaborate code which could be used in open telegrams. A document from 1940 listed these code names, some bizarrely creative. Pregnant women were to be referred to as “Books,” and women with children as “Receipts.” Men, on the other hand, were “Accounts.” Exiles were “Rubbish,” and prisoners undergoing investigation were “Envelopes.” A camp was a “Trust,” a camp division a “Factory.” One camp was code-named “Free.” 20
Language used inside the camps changed too. Until the autumn of 1937, official documents and letters frequently referred to camp inmates by profession, referring to them simply as “lumberjacks,” for example. By 1940, an individual prisoner was no longer a lumberjack, but just a prisoner: a zaklyuchennyi, or z/k, in most documents—pronounced zek.21 A group of prisoners became a kontingent (“contingent,” or “quota”), a bureaucratic, depersonalized term. Nor could prisoners earn the coveted title of Stakhanovite: one camp administrator sent an indignant letter to his subordinates