Haiti Noir - Edwidge Danticat [11]
“Are you sure about Ben?” I ask. “I mean, you know how it works here. Could just be rumors.”
“Believe me, ti cheri, I know what I’m talking about.”
My heart is skidding up into my throat. I need to find Nelly. Can it be true that Ben is a murderer? I remember the pool incident. I think about his broody eyes, his listen-to-me lips.
I look everywhere. Nelly and Ben are gone. Just gone.
It’s midnight. I dial Nelly’s phone number. No one picks up. The deejay belts out Bob Marley, and I chug my cup of cola champagne a little harder and realize how empty it is. The music is crisp in my ears, light and airy.
One in the morning. Nothing. At two o’clock, most of the guests are gone. I try Nelly’s home phone again. Nothing. While dialing, I get so many mosquito bites I take a pen and play connect-the-dots on my legs. Sleep crusts the corners of my eyes.
The last guests leave around five a.m. I finally get Nelly’s mother on the phone. She says her daughter hasn’t come home, and do I have any idea where she might be?
“We need to find Nelly,” I tell Clement in a coarse voice after hanging up. “Maybe she’s over at his house. He told me once where he lives. Would you please take me there?”
We don’t exactly give it a second thought. We get into Clement’s Honda. The sun is just waking up, and the wind whistles through the winged windows of the car. The cold air whips my hair as we pass houses patched with tin, cardboard, and plastic. Kenscoff smells of fresh leaves and donkey dung. The town is so quiet at this time of day that all I can hear is the jingle bells of ice-cream carts pushed by men on their way to Pétionville to sell sweet coconut popsicles. The road leading to Ben’s house is narrow and crooked. My heart is burning. I am haunted by the disturbing stories about Ben, and it’s nerve-racking.
Clement uses a rock to knock on the gate. We wait and listen; I think I hear the singing of psalms inside. A woman with heavy-lidded eyes and a red blouse comes out of the house. She looks at us curiously. “M ka ede w?” she asks. Can I help you?
“I’m sorry to bother you at this hour, ma’am, but we really need to see Ben,” I stammer.
She asks us to follow her, and we walk inside a room where four women are praying and incense is burning with a pleasant smell. All the shades are drawn. One woman lifts her head and nods. Clement and I nod back and follow the one in red down some stairs into a basement. She knocks on a door. “Ben,” she says, “there are some people here to see you.”
The door opens, and the smell of marijuana rushes out along with the rank odor of alcohol and stale cigarettes. Ben emerges from the room, his lids thick, his eyes red and watery.
“Hey, Ben,” I say, trying to sound casual even though I am sure my fear is visible. “How are you?”
His lips are drawn in a tight smile. His eyes are dead.
“I’m looking for Nelly,” I continue. “Is she here?”
He opens the door, and there are three other guys in his bedroom, all high on something. Two of them, their eyes set deep in their sockets, are watching TV. The third one has passed out. He is lying on a padded sofa, bathing in his own vomit, the smell of which almost makes me sick. There’s a faint lamp in one corner of the room, and no sunlight gets in at all. We walk in and Ben puts his hand out, laying it on my arm. “She won’t come out of the bathroom,” he says.
His hand is raw on my skin. The darkness in his voice makes me shiver. His expression is unreadable. How did I ever find him cute? I notice a gun on his desk. The danger in this room is sharp enough to make the air around us crackle.
“Seems like you had quite a party here,” Clement says with a detached voice. How can he sound so relaxed?
I knock softly on the bathroom door. “Nelly, are you in there?”
No answer. Clement gives me a quick glance over his shoulder. I knock again. “Nelly, it’s Magda. Please open the door.”
Ben pulls me near. His hand caresses my shoulder, slides down my back, and comes to rest beneath my armpit, at the swell of my breast. “I’m sure she’s okay.