Haiti Noir - Edwidge Danticat [110]
A week later, two gentlemen with serious looks on their faces claimed they had heard about some gunshots and had come to investigate.
“I was shooting birds,” Moah said. They paused; looked at her pretty face and her perky breast peeking from her sundress. Then they commented on how beautiful and tall the flowers next to the gate were. The flowers and a small cross had been planted over a tall mound at the gate. Although the men had long legs, they almost trampled the mound and its flowers when they tried to enter the yard. As they left, one of them kept repeating, “My, how do you grow such lovely flowers?” Moah simply smiled.
The police canvassed the neighborhood looking for witnesses who might know something about why Lamercie had vanished. No one had seen anything or knew anything. But everyone agreed with the officers that the flowers at the Didier family’s gate were the prettiest they’d ever seen in Croix-des-Bouquets.
THE LEOPARD OF TI MORNE
BY MARK KURLANSKY
Gonaïves
Izzy Goldstein felt in his heart that he was really Haitian, although no one who knew him understood why he felt that way.
“Izzy, you’re Jewish,” his mother would say with sorrow showing on her brow as she examined the Vodou artifacts displayed in his Miami Beach apartment. He had a particular affection for Damballah, the snake spirit, and there were steel sculptures, beaded flags, and bright acrylic-on-masonite paintings of snakes. He had thought of getting a terrarium and keeping actual snakes, but then there would be the responsibility of feeding them.
His original connection with Damballah began when he became convinced the spirit was Jewish. True, he was a lwa of Haitian Vodou and of African origin, but when not a snake he was often portrayed as Moses, and there were several richly colored chromolithographs of Moses holding the Ten Commandments on Izzy’s wall that he had bought in Little Haiti. This was little comfort to his mother since Moses was shown with horns. But even worse, from his mother’s point of view, was the other Damballah poster in which he was depicted as St. Patrick dressed like a Catholic cardinal with a Celtic cross and snakes at his feet.
Izzy argued that the name Damballah ended with an “h” and that Creole words never have a final “h.” Hebrew words, on the other hand, frequently do. His mother did not find this argument convincing. He also had an ason, a gourd covered with a net of snake vertebrae, that he had bought in Little Haiti too, and had the habit of shaking it when making a particular point, to the general annoyance of friends and family.
Also in his apartment was a picture of an admiral. This was in fact Agwe, who Goldstein tried to consult regularly because he was in charge of the sea. The sea was important in Izzy’s life. He had learned to sail in small boats handling a mainsail and a jib across Biscayne Bay, running to a causeway just so he could go beating in the wind to the other end of the bay. He tried to get away from the sea by going to college in Wisconsin, but after three semesters he dropped out and joined the merchant marines and spent five years on freighters across the Atlantic.
Five years of that was enough, and he was back in Miami trying to find a direction for his life.
Damballah offered fertility, rain, and wisdom. Yet it was only the last of these that interested Izzy Goldstein. Back in Miami he kept reading about Haiti. Then he started to go to Little Haiti, eat griyo, fried pork, and bannann peze in the restaurants and learn about Vodou. He even started going to ceremonies late at night. He wanted to be possessed by a lwa. He wanted Damballah but would have accepted whichever one took him. Only it reminded him of that period before his bar mitzvah