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Haiti Noir - Edwidge Danticat [122]

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’s degree in education from the College of Notre Dame, Maryland. Her stories and essays have appeared in Phoebe, the Caribbean Writer, Poui, Macomère, Wadabagei, Calabash, Haiti Progres, The Butterfly’s Way (edited by Edwidge Danticat), Mozayik (an all-Creole anthology), and other journals and anthologies. She is currently finalizing Mouths Don’t Speak, a collection of preand postquake stories. She lives in Baltimore.

GARY VICTOR was born in Port-au-Prince in 1958. He is a longtime contributor to Le Nouvelliste, Haiti’s best-known daily newspaper. He began his career by writing fiction for young adults in the youth edition of the newspaper. He has published nine collections of short stories and twelve novels, including Saison de porcs (Pork Season) and Le cercle des époux infidels, (The Adulterer’s Circle). He has also written for theater, television, and cinema.

MARVIN VICTOR was born in Port-au-Prince in December 1981. He is a painter and filmmaker. In 2007, he won the Young Francophone Writer Prize in France.

IBI AANU ZOBOI was born in Port-au-Prince as Pascale Philantrope. Her writing can be found on the web, in literary journals, and anthologies including the award-winning Dark Matter: Reading the Bones. She is a recipient of a grant in literature and writing from the Brooklyn Arts Council for the Daughters of Anacaona Writing Project, a program for Haitian teen girls, and she has completed a young adult fantasy/science-fiction novel based on Haitian mythology. She lives in Brooklyn.

Also available from the Akashic Noir Series

TRINIDAD NOIR

edited by Lisa Allen-Agostini & Jeanne Mason

340 pages, trade paperback original, $15.95

Brand-new stories by: Robert Antoni, Elizabeth Nunez, Lawrence Scott, Oonya Kempadoo, Ramabai Espinet, Shani Mootoo, Kevin Baldeosingh, elisha efua bartels, Tiphanie Yanique, Willi Chen, and others.

“For sheer volume, few—anywhere—can beat [V.S.] Naipaul’s prodigious output. But on style, the writers in the Trinidadian canon can meet him eye to eye … Trinidad is no one-trick pony, literarily speaking.”

—Coeditor Lisa Allen-Agostini in the New York Times

HAVANA NOIR

edited by Achy Obejas

360 pages, trade paperback original, $15.95

Brand-new stories by: Leonardo Padura, Pablo Medina, Carolina García-Aguilera, Ena Lucía Portela, Miguel Mejides, Arnaldo Correa, Alex Abella, Moisés Asís, Lea Aschkenas, and others.

“A remarkable collection … Throughout these eighteen stories, current and former residents of Havana—some well-known, some previously undiscovered—deliver gritty tales of depravation, depravity, heroic perseverance, revolution, and longing in a city mythical and widely misunderstood.”

—Miami Herald

BOSTON NOIR

edited by Dennis Lehane

240 pages, trade paperback original, $15.95

Brand-new stories by: Dennis Lehane, Stewart O’Nan, Patricia Powell, John Dufresne, Lynne Heitman, Don Lee, Russ Aborn, J. Itabari Njeri, Jim Fusilli, Brendan DuBois, and Dana Cameron.

“In the best of the eleven stories in this outstanding entry in Akashic’s noir series, characters, plot, and setting feed off each other like flames and an arsonist’s accelerant … [T]his anthology shows that noir can thrive where Raymond Chandler has never set foot.”

—Publishers Weekly (starred review)

BROOKLYN NOIR

edited by Tim McLoughlin

350 pages, trade paperback original, $15.95

*Winner of Shamus Award, Anthony Award, Robert L. Fish Memorial Award; finalist for Edgar Award, Pushcart Prize.

Brand-new stories by: Pete Hamill, Arthur Nersesian, Ellen Miller, Nelson George, Nicole Blackman, Sidney Offit, Ken Bruen, and others.

“Brooklyn Noir is such a stunningly perfect combination that you can’t believe you haven’t read an anthology like this before. But trust me— you haven’t … The writing is flat-out superb, filled with lines that will sing in your head for a long time to come.”

—Laura Lippman, winner of the Edgar, Agatha, and Shamus awards

MIAMI NOIR

edited by Les Standiford edited by Les Standiford

356 pages, a trade paperback original, $15.95

Brand-new stories by: James W. Hall,

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