Half a Life_ A Novel - V. S. Naipaul [67]
This style of estate life would have begun in the 1920s, after the wartime boom. It would have become well established during the Second World War. So it was comparatively new; it could have been contained within the lifetime or even adulthood of a man. It didn't have much longer to go now; and I wonder whether in our circle we hadn't all (and not only the theatrical Correias) been granted some unsettling intimation, which we might have brushed aside, that our bluff in Africa would one day be called. Though I don't think anyone could have guessed that the world of concrete was going to be so completely overwhelmed by the frail old world of straw.
Sometimes we went for Sunday lunch to the rough weekend restaurant on the coast. It offered fresh seafood simply done, and it began to do well. It became less rough. When we went one Sunday we found the floor being tiled, in a pretty blue and yellow arabesque pattern that made us exclaim. The tiler was a big light-eyed mulatto man. For some reason—perhaps for not finishing the job on time—he was being abused and shouted at by the Portuguese owner. With us, and his other customers, the owner was as civil as always; but then, switching character and mood, he went back to abusing the tiler. At every shout the big light-eyed man lowered his head, as though he had received a blow. He was sweating; it seemed to be with more than heat. He went on with his delicate work, laying out the thin, fast-drying mortar, and then pressing and lightly tapping each pretty Portuguese tile into place. The sweat rolled down his pale-brown forehead and from time to time he shook it like tears from his eyes. He was in shorts; they were tight over his muscular thighs as he squatted. Little springs and twists of coarse hair were on his thighs and on his face, where close shaving had pock-marked the skin. He never replied to the shouts of the owner, whom he could so easily have knocked down. He just kept on working.
Ana and I talked afterwards about what we had seen. Ana said, “The tiler is illegitimate. His mother would be African. His father was almost certainly a big Portuguese landowner. The restaurant man would know that. The rich Portuguese put their illegitimate mulatto children to learning certain trades. Electrician, mechanic, metal-worker, carpenter, tiler. Though most of the tilers here come from the north of Portugal.”
I said nothing more to Ana. But whenever I remembered the big sweating man with the abused light eyes, carrying the shame of his birth on his face like a brand, I would think, “Who will rescue that man? Who will avenge him?”
In time the emotion became mixed with other things. But the picture stayed. It was my own intimation of what was to come. And when, in my third year, the news began to leak into our controlled newspapers of big happenings on the other side of the continent, I was half ready for it.
The news was too big to suppress. The authorities might have wanted in the beginning to keep it quiet; but then they went the other way, and began to play up the horror. There had been an uprising in one region, and a mass killing of Portuguese in the countryside. Two hundred, three hundred, perhaps even four hundred, had died, and they had been done to death with machetes. I imagined a landscape like ours (though I knew this to be wrong), and Africans like ours, their huts and villages and cassava-and-corn plantings in the spaces between the big estates: the repeating neat acres of cashew and sisal, the great treeless cattle ranches looking like just-cleared wilderness, with the black trunks of big trees that had been felled or burnt to deny shelter to the poisonous flies that preyed on cattle. Order and logic; the land being made softer; but the picture I had had on my first day, of small-boned people always walking beside the road, had seemed dream-like and threatening, telling me that the place