Half a Life_ A Novel - V. S. Naipaul [89]
Very soon after the sale the property company, doing things in its grand way, sent out an architect from the capital to build Graça's house. She could scarcely believe her luck. An architect, and from Portugal! He stayed in one of the guest rooms in the estate house. His name was Gouveia. He was informal and metropolitan and stylish, and he made everyone in our area seem old-fashioned. He wore very tight jeans that made him look a little heavy and soft; but we didn't think of criticising. He was in his thirties, and everybody in the estate-house circle fawned on him. He began to come to our Sunday lunches. We assumed that because he came from Portugal and was working for the property company, which was buying up old estates, gambling on the past continuing, we assumed that he would speak against the guerrillas. But he did the other thing. He spoke with relish of the blood to come, almost in the way Jacinto Correia used to talk in the old days. We decided he was a white man pretending to be a black man. It was a type we were just beginning to get in the colony, playboy figures, well-to-do, full Portuguese, people like Gouveia, in fact, who could cut and run or look after themselves if there was any real trouble.
After a week or so word got around that Gouveia had a liaison with an African woman in the capital. As always when new people came it was as though somebody was doing research, and in the next few days we began to hear stories about this woman. One story was that she had gone with Gouveia to Portugal, but had refused to do any housework because she didn't want people in Portugal to think she was a servant. Other stories were about her servants in the capital. In one story the servants were always quarrelling with her because she was an African and they had no regard for her. In another story somebody asked her why she was so hard on her servants, and she said she was an African and knew how to deal with Africans. The stories sounded made-up; they looked back to the past, and no one really believed them or found comfort in them; but they did the rounds. And then the woman came from the capital to be with Gouveia for a few days, and he brought her to the Sunday lunch. She was perfectly ordinary, blank-faced, assessing, self-contained and silent, a village woman transported to the town. After a while we saw that she was pregnant, and then we were all ourselves like mice. Afterwards somebody said, “You know why he is doing that, don't you? He wants to curry favour with the guerrillas. He feels that if he has an African woman with him when they come they won't kill him.”
We made love in the house, Graça and I, as it was being built. She said, “We must christen all the rooms.” And we did. We carried away the smell of planed wood and sawdust and new concrete. But other people were also attracted to the new house. One day, hearing talk, we looked out of a half-made wall and saw some children, innocent, experienced, frightened to see us. Graça said, “Now we have no secrets.”
One day we found Gouveia. I could see in his dark shining eyes that he had read our purpose. He explained in a showing-off way what he was aiming to do with Graça's house. Then he said, “But I want to live in the German Castle. Houses have their destiny, and the destiny of the Castle is that it shall belong to me. I'll do it up in the most fabulous way, and when the revolution comes I'll move there.” I thought of the house and the view and the German and the snakes and he said, “Don't look so frightened, Willie. I'm only quoting Zhivago.”
Early one night, when the lights were still jumping, Ana came to my room. She was distressed. She was in her short nightdress that emphasised her smallness and the fineness of her bones.
She said, “Willie, this is so terrible I don't know how I can talk about it. There's excrement on my bed. I discovered it just now. It's Júlio's daughter. Come and help with the sheets. Come and let's burn