Half Moon Street - Anne Perry [11]
Pitt remained silent for several minutes, thinking it over.
“I see,” he said at length. “So time and tide don’t really help at all. It could have been as far as eleven or twelve miles, at the outside, and as close as one mile, or wherever the nearest house is with an edge on the water. Or even nearer, if anyone kept that punt moored in the open. It’ll just be a matter of questioning.”
“It would help to find out who he is,” Tellman pointed out. “I still think it could be that French fellow and they’re embarrassed to say so. I’d disown him if any Englishman did that in France!”
Pitt looked at him with a faint smile. “I found a friend of his who thought he had gone to Dover, on the way to Paris. I’d like to know if that’s true.”
“Across the Channel?” Tellman said with mixed feelings. He was not very keen on the idea of foreign travel, but on the other hand it would be quite an adventure to go in a packet boat or a steamer over to Calais, and then perhaps even to Paris itself. That would be something to tell Gracie! “I’d better find out if he did,” he said hopefully. “If he isn’t the body, he might be the one who killed him.”
“If it isn’t he, there’s no reason to suppose he has anything to do with it,” Pitt pointed out. “But you are right, we need to know whose body it is. We’ve got nothing else.”
Tellman stood up. “So I’ll go to Dover, sir. Shipping company ought to know whether he went over to France or not. I’ll go and find out.”
CHAPTER TWO
The last post arrived just as Tellman left, and Pitt felt a surge of excitement as he recognized Charlotte’s handwriting on a thick envelope addressed to him. He ignored the others and went back to the kitchen, tearing hers open and pulling out the sheets of notepaper as he went. He sat down at the table and read:
My dearest Thomas,
Paris is marvelous. What a beautiful city! I miss you, but I am enjoying myself. There is simply so much to see, to listen to, to learn. I have never been in a place so buzzing with life and ideas. Even the posters on the walls are by real artists, and quite different from anything in London. They have such a flair they invite interest straightaway—even if it might not be of a kind one would be willing to own.
The streets, or should I say “boulevards,” for they are all relatively new and very wide and grand, are lined with oceans of trees. Light dances on fountains in all directions. “Or blew the silver down-baths of her dreams, to sow futurity with seeds of thought and count the passage of her festive hours.” Elizabeth Barrett Browning said it so well.
Jack plans to take us to the theatre, but one hardly knows where to begin. There are over twenty in the city, so we are told, and of course that does not include the opera. I should love to see Sarah Bernhardt in something—anything at all. I hear she has even done Hamlet! Or intends to.
Our host and hostess here are very charming and do everything to make us welcome. But I do miss my own house. Here they have no idea how to make a decent cup of tea, and chocolate first thing in the morning is horrible!
There is great talk about a young man who is on trial for murder. He swears he was elsewhere at the time, and could prove it, if only the friend he was with would come forward. No one believes him. But the thing which is interesting is that he says he was at the Moulin Rouge. That is a famous, or perhaps notorious, dance hall. I asked Madame about it, but she seemed rather scandalized, so I did no pursue the matter. Jack says they dance the cancan there, and the girls wear no underclothes. A very strange artist called Henri Toulouse-Lautrec paints wonderful posters for it. I saw one when we were out on the street yesterday. It was rather vulgar, but so full of life I had to look. I felt as if I could hear the music just by seeing it.
Tomorrow we go to see M. Eiffel