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Half Moon Street - Anne Perry [139]

By Root 503 0
He would be careful.

He would find out all he could about Cathcart—but discreetly now. He might have searched for what was more or less public knowledge from newspapers, advertisements for photographic skills. He might even have made an appointment to be certain of finding Cathcart at home. If he had, he had destroyed the record of it.

“Tomorrow we’ll have to find if he asked anyone local about Cathcart and his habits,” Pitt said aloud.

“And where he got the weapon,” Tellman added. “Someone may have seen him. I suppose it’s just a matter of being thorough.”

“Yes . . . I suppose it is.” There was no pleasure in it, no satisfaction in the solution, only a sense of tragedy.

Tellman did not bother to reply.

Pitt spent a restless and unhappy night. The house seemed cold without Charlotte and the children, even though he had kept the kitchen stove alight. It was a sense of darkness, and he expected no more letters from her because in a couple of days she would be home, the weather across the Channel permitting. He had not actually put words to it in his mind until now, but he would be glad when she was safely on land again in England. And Gracie would be back with the children two days after that. The house would be bright and warm again, full of the sounds of voices and footsteps, laughter, chattering, the smells of wax polish, baking, clean laundry.

In the meantime he had to follow the steps of Orlando Antrim and find the proof of exactly how he had murdered Cathcart, and then, when he had it, go and arrest him. There was an anger against Cecily Antrim inside him like a stone, heavy and hard. Her arrogant certainty that she knew best how to pursue her cause, without thought for the consequences, had destroyed her son. He was angry with her for what she had done and because she also woke in him a terrible pity. Could Pitt ever, unthinkingly, pursuing what he believed to be justice or truth, do the same to his own children? His emotions were as strong, perhaps their consequences as profound.

He met Tellman in Battersea, at the far end of the bridge, just after nine o’clock. Tellman was there before him, a forlorn figure standing in the early morning river mist, his coat collar turned up, his hat pulled forward and down over his eyes. Pitt wondered if he had had any breakfast.

“I’ve been thinking,” Tellman said as he heard Pitt’s footsteps and looked up. “He didn’t need to ask about where he lived; he knew that already. And he wouldn’t want to be too open in trying to find out about the household.”

“Household?” Pitt asked.

“Yes!” Tellman was impatient, shivering a little. “You don’t go attacking someone if you think there’s a resident manservant that’ll come to his rescue, or even a maid who’ll remember you, maybe scream the place down. First thing, he’d go and see if there are near neighbors, and how he’s going to get there and away again.”

“Yes, you’re right,” Pitt agreed quickly, increasing his pace. He was wondering if Orlando had intended to use the dress and the chains right from the beginning, or if it had been an inspiration only when he realized they were still there, but he did not say so aloud.

“And what weapon did he mean to use?” Tellman went on morosely as they walked together along the road towards the river and Cathcart’s house. “Or did it go too far and turn into murder?”

Pitt had not wanted to face that question, but it was inevitable. “The time he chose the weapon would answer that.”

“We don’t know what it was,” Tellman reminded him. “It’s probably at the bottom of the river by now anyway. That’s what I would have done with it, wouldn’t you?”

“Unless I dropped it by mistake, in the dark,” Pitt replied. “I should have asked Mrs. Geddes if there was anything missing.” He blamed himself. That was an oversight.

“We could still do that. We know where she lives.” Tellman was half offering.

It should be done. Pitt accepted.

“Right!” Tellman squared his shoulders. “I’ll meet you at the Crown and Anchor at one.” He set off at a smart pace, leaving Pitt to pursue the less-clear objective of tracing Orlando

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