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Half Moon Street - Anne Perry [99]

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very difficult to tell Joshua. Perhaps she could avoid the details. She had never kept a secret from him before. She had been used to discretion all her married life with Edward, but Joshua was different . . . or he had been, before this.

Perhaps she could tell him that there was an agonizing, humiliating secret but not what it was? Maybe he would not ask.

She crossed the landing to her bedroom. She had no particular purpose in going there, simply to be alone. Her mind was in far too much turmoil to be concentrated on any household task, and there was none outstanding that mattered.

She closed the door and sat down in the dressing chair with its pretty chintz flowers. She loved this room. It was what she had wanted for years, in Edward’s time, but he would have disliked it. He would have found the flowers too large, too bright, and the whole thing not dignified enough.

She tried to remember him clearly, bring back his presence into her mind, everything that was good and gentle about him, the reality of his feelings. How he had grieved for Sarah. He had disliked Pitt so much, to begin with. He had never really come to know him well. But then like a lot of men, he had loved his daughters deeply, even if he had not often shown it, and no man was good enough to marry them and care for them as they should have been. Emily’s first husband had had the money and the breeding, but Edward had always worried that he would not necessarily be faithful to her.

And of course Pitt had no money to speak of, and no social background at all. How could he ever give Charlotte all Edward thought she was worthy of ?

And how Dominic had treated his beloved Sarah was an old pain best forgotten now. Sarah was dead, and nothing could retrieve that.

Then her thoughts skipped to Edward himself, and Mrs. Attwood, whose lovely face Caroline could still picture quite easily, even after all these years. She remembered exactly how she had felt when she had first realized she was Edward’s mistress, not the invalid widow of an old friend, as he had claimed. She had discovered a part of Edward she had not known. What else might there have been that she never knew?

She was beginning to feel a coldness inside her. Her hands were trembling. She had been totally duped by her father-in-law. She had seen him only as the dignified man she met in the withdrawing room, or presiding at the dining table, saying the family prayers. The other man, the creature Mrs. Ellison described, was a monster living in the same skin, and she had neither seen nor felt anything of him at all. How could she be so utterly blind, so insensitive?

What else was she blind to? It was not only that she had been wrong about her father-in-law, it was that she had been so wrong about herself ! All that cruelty, that misery and humiliation, even physical pain, had been there behind the daily masks, and she had seen nothing of them.

In who else’s face had she seen only what she wanted to? What had Edward asked of Mrs. Attwood that he had never asked of Caroline? How much did she really know about anyone? Even Joshua . . . ?

She did not feel in the least like going out that evening, but it was the first night of Joshua’s new play. Normally she would be there, whatever the circumstances. Not to go would make a statement she could never retrieve.

She ate a light supper alone—the old lady remained upstairs— then she dressed with great care in a magnificent royal blue gown. She added the cameo pendant that Joshua had given her, and a long velvet cloak, then took the carriage to the theatre, feeling cold, shivering and uncertain. Joshua could not be more afraid of this evening than she was. He could not have as much riding in its success or failure.

For a while the buzz of excitement carried her along and she had no chance to think of anything other than greeting friends and those who wished her well. They congratulated her for Joshua and were filled with anticipation of the audience’s reaction. She desperately wished him to succeed, to be praised, and yet not to portray any of the disturbing

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