Hanging Hill - Mo Hayder [127]
She ran as fast as she could, fumbling in her pockets for her keys. The thorns in the hedge tore at her, the gravel in the parking space made her stumble. She was sweating and trembling as she got to the car. She wrenched the door open and threw herself inside.
As she got the key in the ignition Steve’s voice came back to her. You won’t get punished.
‘Steve, you were wrong,’ she muttered, starting the engine. ‘You couldn’t have been more wrong.’
27
Zoë stood on the doorstep, her arms folded, her back to the gamekeeper’s cottage, waiting for someone to answer the door. She surveyed the garden. It was a mess, with overgrown grass and a derelict garage, the weatherboarding rotting and hanging off. Over at the entrance, where a vegetable plot had been dug out, there was a stack of metal cages – fox ‘trods’ for trapping the animals. A keeper would need these especially at this time of the year. The foxes were only just recovering from the winter. This was their rebound time, and because it coincided with the young pheasants being at their most vulnerable, still too weak to fly into the trees, you’d often see keepers ‘lamping’ in their Land Rovers – bumping across the fields aiming their huge torches out into the darkness, attracting the foxes out of the hedges to be picked off one by one by a twelve-bore shotgun.
No one came to the door so she bent and looked through the letterbox. She could see a small hallway with dark polished floors and a patterned runner on the narrow staircase. No one in there. Strange. She’d had the sense there was. She checked her watch. Most people would be at work now, but a gamekeeper could keep any hours. If Goldrab had run a lot of driven pheasant hunts during the season they’d be breeding them on an intensive scale. A lot of places around here still did that in spite of the animal rights movement – and at this time of year there were scores of chicks at different stages of hatching. The keeper could be anywhere.
She realized she could hear water. Just a faint noise coming from somewhere behind the cottage. She went round the side and saw a dilapidated stone mill building with slate tiles stretching out at right angles to the cottage, spanning the stream, which rushed and echoed in a tunnel under the foundations. The braced redwood doors had been slid open to reveal the mill’s concrete floor, lightly strewn with straw.
‘Hello?’ she called. ‘Hello?’
No reply or movement, just the distant sound of a woodpigeon cooing, the constant undernote of running water.
‘Hello?’
She stepped inside the mill. The air was warm, full of noise. A giant waterwheel would have once been mounted at the far end of the building where the stream rushed under the boards, but it had been dismantled and a floor put over the open area. A concrete aisle ran down the centre, on either side of which were four wire-mesh holding pens with aluminium drop pans and red heat lamps hanging above them. A murmur was rising from the scores of pheasant chicks in the pens that squeaked and shuffled and ruffled their feathers.
‘Hey.’ Zoë leaned over the pen and held her hand out to them. ‘Hey, little guys.’ They scattered away from her, running off, banging into each other and gathering in a group at the rear of the pen, eyeing her nervously. She wandered around a bit longer – found a large, netted cage at the end of the building with older pheasants, all fitted with little face masks to stop them pecking each other. They straightened their necks and blinked at her, ratcheting their heads from side to side.
Behind the pen was a bench with a vice, several jam-jars full of nails and screws and, mounted on a magnetic strip above the bench, a set of hunting