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Hannibal - Thomas Harris [70]

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again.

Pazzi felt sweat trickle down his back beneath his shirt, but his face was cold.

There was yet an hour before the meeting at the Palazzo Vecchio began and Pazzi wanted to arrive at the lecture late.

In its severe beauty, the chapel which Brunelleschi built for the Pazzi family at Santa Croce is one of the glories of Renaissance architecture. Here the circle and the square are reconciled. It is a separate structure outside the sanctuary of Santa Croce, reached only through an arched cloister.

Pazzi prayed in the Pazzi chapel, kneeling on the stone, watched by his likeness in the Della Robbia rondel high above him. He felt his prayers constricted by the circle of apostles on the ceiling, and thought perhaps the prayers might have escaped into the dark cloister behind him and flown from there to the open sky and God.

With an effort he pictured in his mind some good things he could do with the money he got in exchange for Dr Lecter. He saw himself and his wife handing out coins to some urchins, and some sort of medical machine they would give to a hospital. He saw the waves of Galilee, which looked to him much like the Chesapeake. He saw his wife's shapely rosy hand around his dick, squeezing it to further swell the head.

He looked about him, and seeing no one, said aloud to God, “'thank you, Father, for allowing me to remove this monster, monster of monsters, from your Earth. Thank you on behalf of the souls we will spare of pain.”

Whether this was the magisterial “We” or a reference to the partnership of Pazzi and Clod is not clear, and there may not be a single answer.

The part of him that was not his friend said to Pazzi that he and Dr Lecter had killed together, that Gnocco was their victim, since Pazzi did nothing to save him, and was relieved when death stopped his mouth..There was some comfort in prayer, Pazzi reflected, leaving the chapel - he had the distinct feeling, walking out through the dark cloister, that he was not alone.

Carlo was waiting under the overhang of the Palazzo Piccolomini, and he fell into step with Pazzi. They said very little.

They walked behind the Palazzo Vecchio and confirmed the rear exit into the Via del Leone was locked, the windows above it shuttered.

The only open door was the main entrance to the Palazzo.

“We'll come out here, down the steps and around the side to the Via Neri,” Pazzi said.

“My brother and I will be on the Loggia side of the piazza. We'll fall in a good distance behind you. The others are at the Museo Bardini.”

“I saw them.”

“They saw you too,” Carlo said.

“Does the beanbag make much noise?”

“Not a lot, not like a gun, but you'll hear it and he'll go down fast.”

Carlo did not tell him Piero would shoot the beanbag from the shadows in front of the museum while Pazzi and Dr Lecter were still in the light. Carlo did not want Pazzi to flinch away from the doctor and warn him before the shot.

“You have to confirm to Mason that you have him. You have to do that tonight,” Pazzi said.

“Don't worry. This prick will spend tonight begging Mason on the telephone,” Carlo said, glancing sideways at Pazzi, hoping to see him uncomfortable. “At first he'll beg for Mason to spare him, and after a while he'll beg to die.”

Hannibal

Chapter 36

NIGHT CAME and the last tourists were shooed out of the Palazzo Vecchio. Many, feeling the loom of the medieval castle on their backs as they scattered across the piazza, had to turn and look up a last time at the jacko'-lantern teeth of its parapets, high over them.

Floodlights came on, washing the sheer rough stone, sharpening the shadows under the high battlements. As the swallows went to their nests, the first bats appeared, disturbed in their hunting more by the highfrequency squeals of the restorers' power tools than by the light.

Inside the palazzo the endless job of conservation and maintenance would go on for another hour, except in the Salon of Lilies, where Dr Lecter conferred with the foreman of the maintenance crew.

The foreman, accustomed to the penury and sour demands of the Belle Arti Committee,

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