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Hawaii - James Michener [179]

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leaves in church," he commanded, tearing away the wreath and throwing it to the ground, whence the fragrance penetrated to the church. Some men wore only shirts with tails flapping over enormous brown buttocks, and some wore grass breechclouts and silk neckties, but in deference to the white man's God, who refused to share His mysteries with the naked, all wore something.

The interior of the church was impressive: a perfect rectangle with handsomely matted grass walls, an imposing stone pulpit, and not a shred of other furniture except one wooden bench for Jerusha and Captain Janders. The multitude, more than three thousand of them, spread individual pandanus mats on the pebbled floor and sat tailor fashion, elbow to elbow. Had Abner studied the climate for even a moment, he would have built his grass walls only a few feet high, leaving open space between them and the room so that air could circulate, but churches in New England were built foursquare, and so they were in Hawaii, with no air stirring and the congregation sweltering in the natural heat, plus the radiation of three thousand closely packed bodies.

The singing was magnificent: spontaneous, joyous, instinct with worship. The reading of the Scriptures by Keoki was impressive, and when Abner rose to deliver his two-hour sermon, the audience was thrilled to hear him speak in acceptable Hawaiian. He chose for his topic, Zephaniah 2, verse 11: "The Lord will be terrible unto them: for he will famish all the gods of the earth; and men shall worship him, every one from his place, even all the isles of the heathen."

It was a sermon almost ideally suited for the occasion. Phrase by phrase Abner interpreted Zephaniah's words. He defined the Lord and his powers, spending fifteen lyrical minutes in identifying the new god of the islands. It was a god of mercy and compassion that he expounded.

Then he described the terribleness of Jehovah when His anger was aroused, and he lingered over floods, pestilences, thunder and lightning, famines and the tortures of hell. To his surprise the Hawaiians nodded understandingly, and he heard Kelolo whispering to Malama, "The new god's just like Kane. Very difficult when he's mad."

Abner next turned to the specific gods of Lahaina whom the new God was determined to destroy. He specified Kane and Ku, Lono and Kanaloa, Pele and her attendants. "They shall perish," Abner shouted in Hawaiian, "both from Lahaina and from your hearts. If you try to hide these evil gods in your hearts, you will be destroyed, and you will burn in hell forever and ever."

After this he analyzed what the word worship meant, and here for the first time before the general public he expounded his view of the good society. "A man worships God," Abner said, "when he protects his women, when he does not kill girl babies, when he obeys the law." At one point he cried, "A man who grows better taro to share with his neighbors praises God." At another he came closest to expounding pure New England doctrine when he suggested, "Look about you. Does this man have good land? God loves him.

Does that man's canoe catch more fish? God loves that man. Work, work, work, and you will find that God loves you." Finally, with considerable courage, he stared directly at the alii and expostulated his concept of the good ruler, and the entire congregation, all but thirty of them commoners, heard a bold new concept of government. The sermon ended with one of the dramatic touches that Abner, like St. Paul before him, loved. He cried, "In the kingdom of God there is no higher and lower, there is no alii and slave. The lowliest man stands bright in the sweet gaze of God." And he summoned from the doorway, for the man who would not otherwise have dared enter the edifice, a slave and he brought this slave to the pulpit area and put his arms about the man and cried, "You have previously called this man a foul corpse, one of the living dead. God calls him an immortal soul. I call him my brother. He is no longer a slave. He is your brother." And inspired by the awfulness of this iconoclastic

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