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By Root 3162 0

of temporary inability to chat with other guests, most of them, unless relations, from their age unknown to me. Flavia Wisebite had diminished exuberance for seeking out members of an older generation, whom one had not seen for some time, hearing their news, listening to their troubles. In that line, Flavia Wisebite herself was enough for one day. She had also in some way infected me with her own sense of disorientation. I required time to recover. The idea suggested itself to slip away from the reception for a few minutes, find release in wandering through the corridors and galleries of the Castle. After all, that was really why I had come here. There was the dining-room, for example, draped with the tapestries of the Seven Deadly Sins, the little library or study, drawings and small oils between bookshelves, where Barnby’s portrait of the waitress from Casanova’s Chinese Restaurant had hung. A side door seemed the most convenient exit from the party. Rupert Akworth, the bride’s uncle, who had given her away, saw me about to leave.

‘The gents? Down the stairs on the left. Rather classy.’

‘Thanks.’

The Stourwater passages had by now acquired the smell common to all schools: furniture polish: disinfectant: fumes of unambitious cooking. I found the little library – now a schoolroom hung with maps – which Sir Magnus had entered with such dramatic effect that he seemed to have been watching for his guests’ arrival through a peephole in the far door (concealed with dummy books), the night we had come over with the Morelands to dinner at the Castle. One of the pictures in this room had been another Barnby, an oil sketch of the model Conchita, described by Moreland as ‘antithesis of the pavement artist’s traditional representation of a loaf of bread, captioned Easy to Draw but Hard to Get.’

After striking one or two false trails, I came at last to the dining-room of the Seven Deadly Sins. Rows of tables indicated that its function remained unchanged, though the Sins no longer exemplified their graphic warning to those who ate there. The fine chimneypiece, decorated with nymphs and satyrs – no doubt installed by Sir Magnus to harmonize with the tapestries – had been allowed to remain as adjunct to school meals. Above this hung a large reproduction of an Annigoni portrait of the Queen. Here, scene of the luncheon where I had first met Jean Templer after her marriage to Duport; later, of the great impersonation of the Sins themselves, recorded in the photographs shown by Matilda, were more pungent memories. I stood for a moment by the door, reconstructing some of these past incidents in the mind. While I was doing so, a man and a girl entered the dining-room from the far end. They were holding hands. Without abandoning this clasp, they advanced up the room. If wedding guests, like quite a few others present at the reception, neither had dressed up much for the occasion.

‘Hullo, Fiona – hullo, Russell.’

Gwinnett offered the hand that was not holding Fiona’s.

‘Hullo, Nicholas.’

‘Congratulations.’

‘You’ve heard.’

‘Yes.’

Gwinnett gave one of his rare smiles. I kissed Fiona, who accepted with good grace this tribute to her marriage. She, too, looked pleased. Her dress still swept the ground – as on the crayfishing afternoon, the last time I had actually set eyes on her – but her breast no longer bore the legend HARMONY. In her disengaged hand she carried a large straw hat trimmed with multicoloured flowers. A considerable cleaning up, positive remodelling, had taken place in Fiona’s general style. No doubt much of that was owed to Delavacquerie. Gwinnett had surmounted the sober suit of the Magnus Donners dinner with a thin strip of bow tie. His head seemed to have been newly shaved.

‘Have you both just arrived?’

‘A side door outside was open. We thought we might look around before meeting the family. Is the Castle thirteenth or early fourteenth-century? I’d say that was the date. The machicolations might be later. What’s its history?’

Gwinnett had shown architectural interests in Venice.

‘Not much history, I think. Sir