Hearing Secret Harmonies - Anthony Powell [98]
‘Kenneth, what are you up to?’
Sir Bertram spoke calmly. There was no time for him to say more. Instead of answering an undoubtedly rhetorical question – even if some sort of explanation were required, conventionally speaking, for thus arriving unasked at a party – Widmerpool, in terms of ritual of another kind, went straight to the point; if repentance were to be expressed in physical form. While Sir Bertram Akworth stood, eyebrows slightly raised, a rather fixed expression of humorous enquiry imposed on his features, like that of a reasonably talented amateur actor, Widmerpool, without the slightest warning, knelt before him; then bent forward, lowering his face almost to the parquet.
This description of what Widmerpool did suggests, in fact, something much more immediate, more outwardly astounding, than the act seemed at the time. I should myself have been completely at a loss to know what Widmerpool was at, if he had not expressed only a short time before his intention of making some sort of an apology about what had happened at school. Even so, when Widmerpool went down on all fours in utter self-abasement, I supposed at first that he was searching for something he had dropped on the floor. That was almost certainly the explanation that offered itself to those standing round about who witnessed the scene at close quarters. Of these last no one, so far as I knew, had ever heard of the incident from which the action stemmed. Even had they been familiar with it, the complexity of Widmerpool’s declared attitude towards social revolt, ritual sex, mystical repentance, was likely to be lost on them, as it was lost, collectively and separately, on Sir Bertram Akworth himself.
If quite other events had not at that moment intervened, Widmerpool’s innate perseverance, his unsnubbableness, might at last have made his motives clear to the object of this melodramatic self-condemnation. As things fell out, two happenings diminished the force of the act – in any case for the moment generally misunderstood – to almost nothing, altogether removing possibility of its meaning being driven home. The first of these interpolations, not more than a matter of routine, was the reappearance of bride and bridegroom, who had retired a short time before to put on their going-away clothes. This entry naturally caused a stir among the guests, distracting the attention of those even in the immediate Widmerpool area of the Great Hall. The second occurrence, individual, distressing, even more calculated in its own way to cause concentration on itself, was prefigured by a sort of low gasp from Flavia Wisebite.
‘Oh…Oh…’
She must have moved up quite close to Widmerpool, possibly with the object of making some sort of a contact, in order to express in her own words, personally, the detestation she felt for himself and all his works. If that were the end she had in view, Widmerpool’s own unexpected obeisance to Sir Bertram Akworth had taken her completely by surprise. It seemed later that,