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Heart of Iron - Ekaterina Sedia [4]

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swooping turns.

The men on the ground cheered, and Eugenia—quite unlike herself—clapped. The rising wind got hold of the ship and pulled it over the factory, toward the narrow strip of the forest, until its golden glow was hidden from view behind the treetops. The sun had sunk below the horizon, and Eugenia took my arm.

“Let us return to the hotel, Sasha,” she told me. “There won’t be anything else exciting here today.”

The next day, at breakfast, we heard the innkeeper talking about a fire ball crashing in the fields just outside of town and the peat fires that started last night just a few miles to the west. Neither Aunt Eugenia nor I mentioned the airship and its fate to my mother.

It took us four days of being shaken along the ruts and staying in inns before we arrived at the severe glory of the capital. Eugenia had arranged for the hiring of staff who had uncovered furniture, cleaned, provisioned the place, and laid fires to warm the house in anticipation of our arrival, but it took another day of unpacking and arranging before we were settled in our St. Petersburg quarters. It took even longer before I was allowed to go for a walk along the Neva’s embankment.

Oh, but the wait only made it more rewarding—as I strolled across the drizzle-slicked stones of the embankment, a sense of historical gravitas washed over me: these were the stones my papa’s feet walked over, and the emperor’s, and Peter the Great’s; every important person who had ever lived in this city, every prominent player in the tragedies of our national life had left invisible footprints here.

I looked at the slick surface of the river and noticed it churn, water frothing white and green as bottle glass until a heavy brass hull, patina-covered, breached the surface. It looked like a monstrous sinking boat that was going the wrong way. A pair of binoculars mounted on a long pole swiveled toward me, and almost immediately the round cover on the convex back of the boat started turning. A few passersby stopped and clustered closer to the water, pointing and gasping. I had to push through the small crowd to get a view of the goings on.

When it opened, a very ordinary-looking freedman, dressed in linen shirt and matching trousers girded with a piece of rope, stepped out of the hatch just as I managed to work my way to the front of the crowd, inches away from the gray stone wall and the black water lapping at it.

“How do you do, miss,” the freedman said to me. He then proceeded to walk the length of the monstrous contraption to adjust one of the mismatched knobs studding its tail end like a lace-maker’s bobbins. He fiddled with one knob and then another one, as I watched in mute fascination, until he returned to the hatch and climbed inside. The green brass shuddered and several of the bobbins exhaled white clouds of steam. The water hissed and bubbled as it lapped against the knobs, and the boat soon sunk under the water and disappeared from view, leaving only a short-lived white-crested wave in its wake.

Afterwards, I walked along the Nevsky Prospect, the heart of the city laid out so vast, flayed open for the Kazan Cathedral and its square, and I gawped at the rearing horses guarding the Anichkov Bridge. Then I stopped to look at the stately, simple lines of Beloselsky-Belozersky Palace. I tried to guess what silent and luxurious life teemed behind those tall vaulted windows of the second story, who were the shadows sliding past the lacy white curtains like fishes under ice.

I could lose myself in these streets, and even as the rain grew heavier I dawdled, reluctant to go back to our quarters by the Moyka River, not too far from the Yusupov Palace. I had decided to go to St. Isaac’s Cathedral and the Senate Square tomorrow; no doubt, both my mother and Aunt Eugenia would be interested in visiting the place of Papa’s triumph.

However, upon my return I learned that Eugenia had other plans. Normally my mother and my aunt would arrange for an audience with the emperor, but because of my impending debut and associated emergencies—a tear in one of my silk

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