Heart of Iron - Ekaterina Sedia [84]
I slept and dreamt, and woke up to a steaming glass of tea, my fingers slipping on its sides. I drank my tea and slept again. Then I woke again and had someone help me walk to the end of the carriage, where the tiny privy (much smellier and considerably less comfortable than the one in the couchette carriage of the Trans-Siberian train) offered necessary relief. Three days had passed, and we arrived at Novonikolaevsk before I was ever cognizant enough to realize that without thinking of it much, I had left Jack behind and it was too late now to go back.
In my defense, the fever I contracted in Yekaterinburg had bound me in a delirious dream from the moment I snuggled into the blanket provided by the very thoughtful rotmistr. The rattling of wheels had separated from its meaning, from signaling movement east, and only resonated in my ears as mindless percussion, as metronome beats.
The sleep was constant and yet uneven—I was often startled from it by laughter and voices, but even those remained meaningless, inconsequential, as if mere music and not the indication of a train full of hussars. Even the neighing of the caged horses in their wooden prison right behind my carriage did not jolt me to reality. One night I thought I heard thunder but then heard the rotmistr and others talking about horses’ hooves shattering a slatted wall and two of them jumping off, breaking their legs as the train kept speeding along. I did not know whether the story was just a dream or a real memory.
In the end, I woke up three days later, when the train had stopped by a snow-covered platform, everything around us pristine and white, and for a moment I thought I was still dreaming, of some quintessentially Russian heaven. My face pressed against the window felt cold and numb—I must have been sitting like that for a while, but did not realize it until just now. The cessation of movement and sound must’ve jolted me to awareness.
Silence was too profound not to notice and I lingered in the same position, fearful of shattering it with a careless movement, with a clinking of an empty tea glass resting on the bench by my hand, ready to be sent tumbling onto the floor and splintering into shards . . . the image of the breaking glass was so clear in my mind, I jerked my hand away from it, to prevent it from coming true.
“Menshov,” someone said behind me. “You’re awake?”
“Yes.” Silence ruined, I sat up and rubbed my eyes with my fists. The carriage was empty, save for Cornet Volzhenko stretched on the bench behind mine, reading a volume of Pushkin’s newest poems (I disliked